After I’d caught up with Doctor Who, the next series I focussed on was Red Dwarf – another long-running BBC sci-fi series. I have a very minor connection to Red Dwarf – my godmother’s husband, Mel Cross, was a camera operator on the first two series. Sadly, Mel passed away last year.
I own the DVDs for the first eight BBC series, and the Blu-Ray for Series X which was commissioned by UKTV (which in turn is owned by BBC Studios, the commercial wing of the BBC). After series X, there were two further series, and a film, The Promised Land. Every episode of Red Dwarf, including the film, is available on BBC iPlayer in the UK. Which is odd as UKTV has its own streaming service, U, where these episodes aren’t currently available. Still, iPlayer doesn’t have adverts so it’s a plus.
Series XI
I started with Series XI, as I thought I hadn’t seen it before. It was first broadcast 10 years ago in 2016, back when our 10-year-old was a baby. However, as I watched the series it became clear that I had watched it before. Still, I enjoyed watching it again, and whilst none of the episodes are all-time classics, there are some inventive ideas there.
Series XII
These two series were filmed essentially back-to-back, either side of Christmas 2015. There are some stronger episodes here, like Siliconia where the rest of the core cast get turned into Mechanoids along with Kryten.
The last episode, Skipper, certainly feels like it was written with closure in mind, with various old faces re-appearing in cameo roles.
The Promised Land
And finally the film, or rather the ‘feature length TV special’. It was produced in 2019, and broadcast early in lockdown in 2020. The film focuses on the Felis Sapiens species – i.e. Cat’s distant relatives. There had been plans for a Red Dwarf film following series 8 that never went anywhere, and although series 9 (Back to Earth) could be considered a film, it was broadcast as three episodes.
The Promised Land, like all series apart from 8 and 9, was filmed in front of a live audience, and so it feels more like an extended episode rather than something different and special. Certainly, unlike when many other TV shows get adapted for the big screen, there doesn’t appear to have been a big increase in budget. For the most part, the story is free-standing and you can watch it without having caught up with the rest of the episodes.
The Man In The Rubber Mask
As well as watching lots of TV and film, I did also do some reading during my recovery period, and this included The Man In The Rubber Mask by Robert Llewellyn. Llewellyn plays Kryten in Red Dwarf, and this book is his autobiography. It was originally published in the 1990s, but Llewellyn has updated it more than once (as per the cover, it contains “57.4% more smeg”). The latest edition is self-published, and available from Llewellyn’s web site, and comes signed as well.
The future of Red Dwarf?
I suspect we won’t see any more new episodes of Red Dwarf now. The first series was broadcast all the way back in 1988, and apart from the addition of Kryten in series three, has had the same cast throughout. And they’re getting old; Llewellyn turned 70 this year, and the other three are in their 60s. However, I do hope that there is something special commissioned for Red Dwarf’s 40th anniversary in 2028 – perhaps an update to Can’t Smeg, Won’t Smeg?
