Adventures with a Homey Pro

A photo of the Homey Pro with ethernet adaptor

Recently, I’ve been reading about Dave2‘s adventures with his new Homey Pro, which he is using as his smart home controller. For context, Dave2 has tried to use devices certified for Apple HomeKit for years, and it’s been a struggle. Devices disappear randomly, automations fail to work, and so on.

The Homey Pro is an all-in-one smart home controller, supporting Zigbee, Matter, Z-Wave, Bluetooth, Wi-Fi (and optionally Ethernet), Infrared and RF devices, in one neat package. That’s basically every smart home protocol covered. There’s also the Homey Bridge, which is available separately to increase range, but it can also be bought separately.

Dave2 has written five blog posts about his journey: part one, part two, part three, part four and part five. If you’re considering buying a Homey Pro, I would suggest reading each one – especially if you’re moving away from Apple HomeKit.

How does the Homey Pro compare to Home Assistant?

As regular readers will know, I’ve basically gone all in on Home Assistant as a smart home controller. It works fine for me, and I like its do-it-yourself nature up to a point. Where Homey stands out is that everything is in one box, and, as far as I can tell, you don’t need to sign up for developer accounts to integrate services. That removes a large amount of friction which can be intimidating to new users. Home Assistant Cloud makes integration with Google Assistant and Alexa much easier, but it’s a paid add-on.

However, where Home Assistant stands out compared to Homey Pro is the number of integrations. Homey Pro offers a good range of apps, and has an open SDK. But there isn’t the same range as Home Assistant, and there doesn’t appear to be the equivalent of HACS to install additional integrations.

Whether Home Assistant or Homey Pro is right for you depends on how much time you have, and how much control you want. The Homey Pro will work much better out of the box, and it should be quicker and easier to get started with it. Home Assistant is definitely more complicated, even if you buy a device with the software pre-loaded, but it’s much more powerful and customisable.

One final thing to bare in mind is updates. Homey’s developers have committed to supporting the current Homey Pro model until January 2028, but that’s only three years away. They’ve also recently been acquired by LG, which may or may not be a good thing long-term. It should be noted, though, that in last month’s Home Assistant update (2024.11), LG contributed their own official ThingQ integration, so you can monitor your smart Kimchi refrigerator. Hopefully that means that Homey is in good hands.

Splitting and renaming the Underground

An extract of the London Underground map showing the Northern Line around Camden Town

This is the second of two blog posts about the new London tube map, which saw the six lines that make up the London Overground gain their own identities. The previous blog post was about the ambiguous nature of the Waterloo & City Line’s step-free access. Meanwhile, today, I’m wondering whether some lines that make up London Underground could be given their own identities, like the Overground.

Some lines on the London Underground are simple through routes, with no branches – namely, the Jubilee, Victoria and Bakerloo Lines. For others, it gets a bit more complicated, and so this is a discussion of splitting some lines up, and giving them their own identity. None of these ideas are new – they’ve been talked about for years and exist in some official Transport for London plans – but it’s an opportunity to think of some names for them.

A history of splitting Underground lines

If you look at one of Harry Beck‘s tube maps from the 1930s, broadly speaking, you’ll be able to compare it easily to a modern day tube map – certainly when looking inside the Circle Line. The Victoria, Jubilee and Elizabeth Lines aren’t there, but otherwise, not a lot has changed in 90-odd years.

What you will notice, however, is the Metropolitan Line has lots more branches than it does now. Over time, however, the Metropolitan Line has been split up; firstly, the branch to Stanmore became a branch of the Bakerloo line, and is now part of the modern-day Jubilee Line. Then, in 1990, the line from Hammersmith to Barking was given its own identity as the Hammersmith & City Line, and the isolated East London branch became the East London Line. Incidentally, the East London Line is now part of London Overground, and recently gained its new identity as the Windrush Line.

I mention this because branches of tube lines have been given their own identities before, and so there is precedent for doing this.

The Wimbleware Line

Oh where is the Wimbleware? It’s a colloquial name for a service on the District Line, where trains run from Wimbledon in the south, to Edgware Road in the north. Wimbleware is a portmanteau of Wimbledon and Edgware, a bit like how the Bakerloo Line is a portmanteau of Baker Street and Waterloo, and indeed a contraction of its old name, the Baker Street and Waterloo Railway.

Operationally, the Wimbleware has always been somewhat separate from the rest of the District Line. Whilst nowadays, all District Line services operate using S Stock trains, it used to be that Wimbleware services used a different type of rolling stock to the rest of the line. Most District Line services used D78 stock (some of which is enjoying a new life as Class 230 and Class 484 trains on the main line), whilst Wimbleware services used C stock trains, more commonly found on the Circle Line.

Taking the Wimbleware out of the District Line, and giving it a distinct identity, would significantly simplify how the District Line appears. Right now, you essentially have two eastern branches, to Edgware Road and Upminster, and four branches to the west – to Ealing Broadway, Richmond, Wimbledon, and very occasionally Kensington (Olympia). The Wimbleware would just operate Wimbledon to Edgware services, leaving one eastern branch and essentially just two western branches.

But what will we call it?

I doubt we’ll see the name ‘Wimbleware’ on any tube maps in the future. It’s a nice colloquial name, but we also know that several lines of the London Overground had colloquial names that weren’t used. The Overground line from Gospel Oak to Barking was known as ‘The Goblin’, but its new official name is the Suffragette Line, and the Watford DC Line between Watford Junction and Euston has become the Lioness Line.

My suggestion would be the ‘Carnival Line‘ as it passes through Notting Hill, home of the annual Notting Hill Carnival. As with the new names of the Overground lines, like the aforementioned Windrush line, it highlights and celebrates London’s diverse culture, as well as giving a really obvious suggestion of which line to take if travelling to the carnival.

Alternatively, if permission could be obtained from the estate of Elizabeth Beresford, how about the Womble Line? It would celebrate the famous fictitious residents of Wimbledon Common, who look after the environment by reusing people’s rubbish.

Splitting the Northern Line

Another line that’s rather confusing is the Northern Line, which has two branches which pass through central London, meet up again between Euston and Camden Town, and then separate again. Now, Transport for London has long planned to split the line in two, but the aforementioned Camden Town station is the sticking point.

What is now the Northern Line was formed from two separate railways. The ‘Bank branch’ was the world’s first successful deep tube line, and was known as the City and South London Railway, first opening in 1890. Meanwhile, the ‘Charing Cross branch’ was formed from the Charing Cross, Euston and Hampstead Railway between 1907 and 1914. Whilst both reached Euston station, they were completely separate until the 1920s. They collectively became known as the Northern Line in the 1930s, as part of the ambitious Northern Heights plan to take over some suburban rail lines in North London. Alas, only some of the Northern Heights plan ever came to fruition.

Splitting the Northern Line into separate branches has some key advantages. Currently, with trains from both the Bank and Charing Cross branches serving both the Edgware and High Barnet branches, there’s a limit on capacity. At peak times, there are 24 trains per hour on the Northern Line – which is still pretty frequent, especially by the standards of trains that I’m used to up here in the north of England. But having two fully separate lines could allow much more frequent trains – potentially as many as 36 per hour. That would be a 50% capacity increase and make each branch of the Northern Line equal to the Victoria Line in terms of service frequency.

The Camden Town problem

I mentioned that Camden Town tube station would be a sticking point. Along with nearby Euston, and Kennington in the south, it would be one of three stations where passengers would need to change from one branch to the other. Remember, the plan would be to completely separate each branch, so trains heading north from Charing Cross would only go to Edgware, and trains heading north from Bank would only go to High Barnet or Mill Hill East. At the moment, you can get a direct Northern Line train from Charing Cross to High Barnet, if you’re prepared to wait long enough – about 10 of the 24 trains per hour make this journey at peak times. Should the split be implemented, you would have to change at either Euston or Camden Town, but with the benefit of much more frequent trains.

So why is Camden Town a problem? Well, it’s just not big enough for a huge increase in passengers changing trains. Indeed, it’s just not big enough full stop; on Sunday afternoons, the station is typically exit-only (meaning you can’t enter the station from the street) to manage crowds. Transport for London plans to build an additional entrance, and add extra passenger tunnels and more escalators. The plans also include providing lift access, making it completely step free; at present, there’s step-free interchange between the two Northern Line branches, but it’s not possible to enter or exit the station without using steps or an escalator.

The plans to rebuild Camden Town have existed for years, but funding hasn’t been forthcoming.

Also, simply rebuilding Camden Town station will not, in itself, be enough. To operate a more frequent service, London Underground will also need extra trains. There were plans to order additional trains for both the Northern and Jubilee Lines, which operate similar trains built around the same time by the same manufacturer (Alstom). However, the business case was hard to justify at the time. Perhaps new trains could be ordered just for the Jubilee Line, and then the old Jubilee Line trains would operate on the Northern Line?

But what do we call it?

If the split does occur, it would be interesting to see if both new lines get a new name, or whether one remains the Northern Line. And if so, which one? I would argue that the Morden to High Barnet/Mill Hill East line (Bank branch) would be the best to rename, as Morden is actually the most southerly tube station on the network. It seems a bit strange that the most southerly tube station is on the Northern Line.

It could honour the original builders of the line and be called the Southern and City Line. The original train company was the City and South London Railway, but I’ve re-ordered the name to match the other two ‘and City’ lines – the Hammersmith and City, and the Waterloo and City Lines. That might get a little confusing with the Southern railway company, although with rail franchises now being brought back in house, that might not be such an issue.

I also note that one suggested name for the line back in the 1920s was the ‘Tootancamden Line‘, as it passed through both Tooting and Camden but also sounded a but like Tutankhamun. However, whilst there are several Egyptian mummies in the British Museum, Tutankhamun isn’t one of them, and the British Museum is closer to Goodge Street on the Charing Cross branch of the Northern Line. Also, I don’t think we need another reminder of Britain’s colonial past.

Another suggestion could be the Market Line, as the line passes via both Borough and Camden Markets, and the London’s financial centre. That being said, the closest tube station to the London Stock Exchange is St Paul’s on the Central Line. Although to be fair, the newly-named Mildmay Line is not the closest Overground line to the Mildmay Hospital.

Now, I’m not a Londoner – I generally only have the opportunity to visit London once a year – so I’m sure locals could think of some much better names. I quite like the new names for the Overground Lines, and they celebrate ordinary, modern, diverse Londoners. Which is nice since the three most recent new lines, the Victoria, Jubilee and Elizabeth, have all been about royalty. I’d hope that Transport for London would carry on with interesting new names for any newly-split Underground lines.

Croissant, a social media cross-posting app

A screenshot of the Croissant app on an iPhone 13 Mini

If you cast your minds back around three years, there was just one major public-facing text-based social media platform: Twitter. Now that Twitter is called X, and only Nazis and grifters seem to be left there, we’ve ended up with some people on Bluesky, some on Threads and others on Mastodon. And so Croissant makes it easy to cross-post to all three at once.

Although I mainly post on Bluesky these days, I try to keep my accounts on Threads and Mastodon active as well.

Once you have linked your accounts to Croissant, you get a nice big space to write your post, and a character count. Whilst Threads doesn’t seem to impose a maximum character limit, it’s 300 characters on Bluesky, and 500 on most Mastodon instances.

Below, there are buttons to @mention someone (which includes a search tool on Mastodon and Bluesky), add hashtags and add images. What I particularly like about Croissant is that, when you add an image, there’s a really clear prompt to add an alt text description of the image. Draft posts can be saved, and you can set how visible the post will be on Mastodon and Threads (public, unlisted etc.). You can also add content warnings if posting to Mastodon.

Although Croissant is free to download, to unlock most features you’ll need to pay an annual subscription of £20. Also, it’s only available for iOS 18 and macOS 15 (Sequoia) or later; my elderly sixth generation iPad can only manage iOS 17 so I’m only able to run it on my iPhone.

Koko Analytics – a stats plugin for WordPress

A screenshot of the Koko Analytics dashboard running on WordPress. There's a bar chart showing daily visitors and page views, the most popular pages and referrers.

Back in March, I stopped using the Jetpack WordPress plugin, and replaced it with Toolbelt, which replicates many of Jetpack’s features. I’ve been concerned about the direction Automattic, and especially its founder Matt Mullenweg, have been taking, and so I’ve wanted to stick to self-hosted alternatives. Whilst Toolbelt does a lot, it doesn’t offer stats, and so I’ve recently starting using Koko Analytics.

Compared to Jetpack Stats, Koko Analytics, at least in the free version, is a little more basic. You’ll get to see how many visits and page views there have been, and also how many page views within the last hour. You can also see your most popular pages and blog posts, and which web sites have referred visitors to you. And you can import and export your data too.

For me, the main benefit of Koko Analytics is that all the data is hosted locally. With Jetpack Stats, you are uploading data to Automattic’s servers, which needs to be mentioned in your site’s privacy policy. Koko Analytics is therefore more respectful of the privacy of your visitors, by not sharing their data.

Koko Analytics Pro

There is also a paid-for upgrade, which costs €49 per year per site (about £40 at present). This also allows you to track what links people click on whilst browsing your site, receive weekly reports, and export data in CSV format. The cheapest Jetpack Stats plan is currently £50 for the first year, rising to £84 in subsequent years, and only for sites with 10,000 page views per month or less. Whilst, as an individual, I can use the free version of Jetpack Stats, I’m currently on around 8000 page views per month. Overall, Koko Analytics is significantly cheaper than Jetpack Stats.

I found out about Koko Analytics through this blog post from Terence Eden, where he has a guide to importing data from Jetpack Stats using some Python scripts. Thankfully, since that was written, the Koko Analytics plugin now includes a Jetpack Stats import tool which is much easier to use.

Whilst it’s basic, the fact that Koko Analytics is lightweight, and that it keeps all its data on your server, makes it a strong recommendation from me, if you need a stats plugin for WordPress.

Is the Waterloo & City Line Step Free? It’s Complicated

An excerpt of the Step Free Tube Map showing the Waterloo & City Line

A couple of weeks ago, a new Tube Map was published, to coincide with the new names for the London Overground lines. Besides the fact that north-east London is no longer a sea of orange but several different colours, another thing stood out to me. According to the Tube Map, there’s no step-free access on the Waterloo & City Line:

An excerpt of the Standard Tube Map showing the Waterloo & City Line

Stations that are step-free have a pictogram of a person in a wheelchair. But the platforms for the Waterloo & City Line show a regular empty circle at both of its stations, indicating no step-free access. So, surely the answer to the question of whether the Waterloo & City Line is step-free is ‘no’?

What does the step-free map say?

Actually, the answer is more complicated than that. Certainly, the Waterloo & City Line wasn’t step free in the past, as I noted in a previous blog post from 2017. But work at both Waterloo and Bank stations has resulted in the installation of lifts, meaning that the line is actually step free.

Transport for London publish a separate step-free Tube map, which offers more detail than the standard one. For example, there are letters (A, B and C) showing how big the gap between the train and the platform edge is (mind the gap), or the letters R and M if a ramp or mini-ramp can be used to help to bridge the gap. And here’s how the Waterloo & City Line appears:

An excerpt of the Step Free Tube Map showing the Waterloo & City Line

Note that there’s an ‘R’ at both ends, and, unlike the nearby Bakerloo line which is shaded out as being completely inaccessible, the Waterloo & City Line is in its usual colour. So, we can conclude, the Waterloo & City Line does offer step-free access. With the help of staff with a ramp.

So, why do the two Tube Maps contradict each other?

Complicated interchange

Well, I did say it was complicated. The step-free tube map also includes exclamation marks next to some station names. These indicate that there’s additional information to read about how accessible each station is. For Waterloo, it only covers the Jubilee Line; all the information about the Waterloo & City Line is on the Bank listing:

Lifts to the Waterloo & City line are available Mondays – Fridays, via the entrance on Walbrook. Step-free exit at Waterloo is via the National Rail lift (usually available Monday to Saturday 0430 – 0105, Sunday 0530 – 0105). Please check before you travel. Step-free interchange between the Waterloo & City line and the Northern line and DLR requires a 290m journey via street and lifts.

It’s that last sentence that’s worth paying the most attention to. Bank, along with nearby Monument station, is a massive interchange and the second largest on the London Underground after King’s Cross St Pancras. It’s also just had a massive upgrade, adding step-free access to the Northern Line for the first time, and step-free interchange with the Docklands Light Railway (DLR). However, there isn’t a direct step-free interchange between the Northern Line and DLR, and the Waterloo & City Line.

Say, you arrive at Bank on the DLR and can’t use steps or escalators. To get to Waterloo, you need to exit the station via the Cannon Street entrance, walk/roll along Cannon Street itself, turn right up Walbrook and re-enter Bank station underneath the Bloomberg building.

Similarly, the interchange at Waterloo, from the Jubilee Line to the Waterloo & City Line, would require you to go up to street level and through Waterloo mainline station.

So yes, the Waterloo & City Line is step-free, and is indeed the only London Underground line to be entirely step free, by virtue of having just two stations. But it doesn’t offer step-free access in a way that is useful to interchanging passengers. I suppose if you arrive on a mainline train in Waterloo, and your destination is Bank, then it’s fine. But say you arrived on a mainline train at Liverpool Street and needed to get to Waterloo, there are better options that changing at Bank (in this case, Elizabeth Line to Bond Street and then Jubilee Line to Waterloo). And that’s why the standard Tube Map doesn’t show it as step-free.

Quirks of the Waterloo & City Line history

The Waterloo & City Line has always been an oddity. It only became an official London Underground line in 1994, and was previously operated by British Rail. Indeed, its trains originally carried the old Network SouthEast livery, rather than the standard tube livery. When British Rail was privatised, it was seen as an anomaly and so given to London Underground, rather than parcelled up with the other services to Waterloo that become South West Trains (now South Western Railway). As far as I am aware, it’s never operated on Sundays, as it mostly serves commuters, and since the pandemic, there has been no Saturday service either.

It was only the second deep tube line to be built in London, after the City & South London Railway (now the Northern Line). It was built by the London & South Western Railway (LSWR) to provide a link from its major terminus at Waterloo, under the River Thames and into the City of London. At the time, many rival railway companies had stations in the city, and this was the LSWR’s way of competing without needing to buy lots of land, demolish buildings and build new bridges. It’s also the only tube line to be entirely underground, including the depot at Waterloo station (the Victoria Line’s depot is above ground), and it’s completely isolated from all other railway lines. When trains require heavy maintenance, they have to be lifted out of the depot by crane and taken by road.

Since it opened in 1898, the Waterloo & City Line has remained a simple, two station shuttle. Over the years, there have been many enhancement ideas banded around. These have included adding additional platforms to serve Blackfriars station, or trying to somehow join it on to the DLR at Bank to allow through journeys to Waterloo.

How to: view and share pronouns on Bluesky

A screenshot of a skeet that I posted recently on Bluesky, which displays my pronouns (he/him) under my name. The skeet says 'Huh, accidentally pressed Alt+D whilst Spotify (desktop version) was open, and opened a hidden Chrome menu. None of the options seem to do anything, but yes, it seems like just about everything is based on Chromium nowadays.'

If you want to share your pronouns on Bluesky, and/or want to be able to see others’ pronouns, then you can use the Pronouns labeller to show these in the Bluesky app. In the screenshot above, you can see that, under my username, it shows my he/him pronouns.

Step 1: Viewing pronouns

If you want to be able to view others pronouns, go to the Pronouns labeller profile, and click the ‘Subscribe’ button. Now, you’ll be able to view the pronouns of other Bluesky users, where they’ve elected to share them, as a label attached their posts and on their profiles.

Step 2: Sharing your pronouns

So now that you can see the pronouns of other users, you can also share your own pronouns. There’s a search tool available; select the pronouns that most apply to you, and then ‘like’ the corresponding Bluesky post. For example, I liked this post because my pronouns are he/him.

Within a minute or two, those pronouns will appear as a label on your profile. You can select up to four pronouns to share.

If you make a mistake, you can ‘like’ this post, and all of your pronouns will be removed. Once this takes effect, you can then start again.

Just a note that you can’t complete this step in isolation. In other words, you must have the labeller turned on and showing the pronouns of others, before you can share yours.

It’s all opt-in

Whilst I’m a member of the LGBTQ+ community, I think it’s important to share your pronouns regardless. As well as showing that you’re an ally, it normalises the act of sharing pronouns when you introduce yourself, and makes LGBTQ+ people like myself feel more included. At work, our standard email signature template includes a pronouns section, and it’s used at all levels including senior management to set a good example.

This doesn’t mean that you can’t share your pronouns manually in your Bluesky bio. This profile labeller is opt-in, and, as yet, Bluesky doesn’t have a great way of letting users discover profile labellers. In my experience, it tends to be the early adopters of Bluesky who use the pronouns profile labeller; recent arrivals haven’t found it yet.

Bolling Hall Museum, Bradford

A photo of the outside of the Bolling Hall Museum in Bradford. It's a stone-built stately home.

Last month, we met up with a couple of friends to go to the Bolling Hall Museum in Bradford. Now, long time readers of this blog will know that I lived in Bradford between 2002 and 2010, and still work there, so surely I must have been here loads of times.

Nope. This was the first time I’ve been.

Bolling Hall is an old stately home that has been altered many times over the years. Parts of it date back to the 14th century, and in the early 20th century it was passed to what would eventually become Bradford Council, who run it as one of their museums. As various parts of the building date from different times, there is a variety of architectural styles on show.

Bolling Hall overlooks Bowling Park, to the south of the city centre, and is in what is now mostly the residential area of West Bowling.

A photo of a piano that belonged to Frederick Delius

Inside, the rooms have been mostly laid out as they would have been in Georgian times, including the kitchen and several bedrooms. There’s also a small exhibition about Bolling Hall’s role in the English Civil War; its owners at the time supported the Royalists, whereas the wider Bradford area backed the Parliamentarians.

As with most council-run museums, Bolling Hall is home to various objects in Bradford Council’s collection. This includes the first piano owned by Bradford-born composer Frederick Delius.

It’s not a big museum, and we spent about an hour there. Whilst there are gardens outside, these were mostly roped off when we went.

Amusingly, it was me who created its listing on Foursquare, thirteen years ago, so it was nice to be able to finally check in there.

Accessibility

Being a very old building that has been altered several times, accessibility is not great. If you’re unable to manage stairs, then you can use an accessible entrance to see some of the ground floor rooms, but there isn’t a lift and the upstairs rooms are on different levels.

Bolling Hall Museum is closed on Mondays and Tuesdays. Entry is free. Parking is available on site, and it’s well-signposted. It’s served by bus 635 from Bradford city centre.

Descending into December

A photo of the Piece Hall in Halifax, taken in December 2022. There's a huge Christmas tree in the courtyard.

Good grief, we’re 92% done with 2024 now. Just the month of December to go.

December is always a busy month for us, what with preparing for Christmas, and with a couple of birthdays coming up as well – one of which is a round number birthday. We’ve started, but by no means finished our Christmas shopping.

I’m only working for the first three weeks of December, as my workplace is closing up on Friday 20th. I’ll be off work until the 2nd January, giving me a not-quite two week break. That gives me Monday 23rd to finish off any last-minute Christmas shopping, albeit with an eight-year-old in tow as school will be closed that day.

As usual, we’ll be spending Christmas with my parents in York. We’re meeting the rest of the family towards the middle of the month for a meal and to exchange presents.

Oh yes, and I’m already several weeks in to the Christmas drinks at Starbucks.

Playlist of the month: Musicals

Screenshot of the musicals playlist

Now I’m not saying that it’s mandatory for queer men like myself to like musical theatre – but, let’s face it, lots of us do, and I’m no exception. Both my wife and previous girlfriend were involved in a musical theatre society at university (same university but not at the same time), and I’ve seen a number of shows, both locally and in the West End in London. And, seeing as Wicked is now a film, it’s a good theme with which to base a playlist on. So, here are my favourite songs from musicals. As ever, you can listen to it on Spotify.

  • “Defying Gravity” from Wicked, by Kerry Ellis. This isn’t the version on either the stage or film soundtrack, but a belting cover version by Kerry Ellis. Although, to be fair, Ellis played Elphaba for a time during its West End run. This is one of my morale boosting songs.
  • “The Greatest Show” from The Greatest Showman. Friends fear that he’s been listening to the Greatest Showman soundtrack and has just found another excuse to include this in a playlist. Yes, I included it in July’s ‘duets’ playlist too.
  • “You Can’t Stop The Beat” from Hairspray. It’s not quite the finale but it’s the big number where the audience is usually encouraged to join in. Back before Netflix was available in the UK, I rented the DVD of Hairspray, not realising it was the (non-musical) 1980s original with Ricki Lake, and not the then new (musical) film version.
  • “I Wanna Be A Producer” from The Producers. This is one of those songs that I randomly break out into. I enjoyed the film adaptation and have also seen a good amateur production in Bradford.
  • “Just Around The Corner” from The Addams Family. I don’t think enough people know that there’s an Addams Family musical, especially after Wednesday came out a couple of years ago. It’s about Wednesday coming of age, and this song is a solo by Morticia.
  • “Unfortunate” from Unfortunate. We went to see this very camp Little Mermaid spin-off earlier this year, and I would strongly recommend it. It’s refreshing to hear new music on stage, and a break from the seemingly endless jukebox musicals.
  • “When I Grow Up” from Matilda. We managed to see the Matilda musical in the West End shortly before it won loads of awards, and it was excellent. This song manages to be both fun and heartbreaking at the same time. Also, it’s the only one of these that I’ve performed in a show before.
  • “Let It Go” from Frozen. Oh come on, just because this song has been massively over-played, doesn’t mean it’s not good. How many kids songs manage to include words like ‘fractals’?
  • “How Far I’ll Go” from Moana. I haven’t actually watched Moana all the way through in one go, but I’ve probably seen all of it collectively as our eight-year-old has watched it multiple times on Disney+. Whilst it’s not made it to the stage yet, this is a good song. I imagine we’ll be watching the sequel at some point soon.
  • “Ex-Wives” from Six. Six is a musical that I really want to see, but haven’t managed to yet. I’ve listened to and enjoyed the soundtrack a few times though.

Cheques, postal orders and the DVLA

If you want to change your name and photo on your GB driving license at the same time, then, as I write this in November 2024, you have to pay the DVLA by cheque or postal order. You can’t pay online using a credit or debit card.

Indeed, there’s a number of reasons that you may need to pay money to the DVLA, and can currently only do so by posting a cheque or postal order. You may have passed your driving test in another European country, and now want a GB driving license. Or, you may need to get your license back after being disqualified from driving (for the absolute avoidance of doubt, no, I have never been banned from driving and have a full clean license). In all of these situations, it’s not possible to pay online.

As I mentioned in my blog post a couple of months ago, frustratingly there’s still a need for paper bank statements, and, it seems, cheques. Sure, almost every bank, including online-only ones like Starling, Chase and Monzo let you pay in cheques by scanning them into their apps using your phone. But what if you need to write a cheque for someone else? Online-only accounts do not seem to offer any way for their customers to pay by cheque.

It’s not a much better situation even if you do bank with a ‘traditional’ high street bank. I switched to a new bank account earlier this year, and whilst I got a new debit card through the post, I wasn’t issued with a chequebook as standard. And that should be fine – the last time I remember writing a cheque myself was about nine years ago. Most places accept bank transfers by BACS if they don’t accept credit/debit cards or cash. Sure, I can request a chequebook, but then the bank will need to print and dispatch it to me by post.

Postal orders

Thankfully, the DVLA also accept postal orders. In my 22 years of adulthood, I have never needed to request or send a postal order, but they have been around for years. Originally, they were a way for people without bank accounts to send money by post, in a way that means that only the named payee can use it.

To get a postal order, you go along to a local post office, tell them who you are paying and how much the postal order is for, and then pay cash, plus a fee. For £10-£99, there’s a 12.5% fee, and a fixed fee of £12.50 for postal orders of £100-£250. They’ll then print you a postal order which you can pop in your envelope to the DVLA, or whoever else you need to pay.

It’s certainly a solution if you don’t have a chequebook, but, as mentioned, you have to pay an extra fee on top which you wouldn’t pay using a cheque. Plus there’s the cost of getting to a Post Office if one isn’t local to you.

Ideally, the DVLA will drag itself fully into the 21st century, and enable more tasks to be completed online with card payments. But until then, some of us are stuck using cheques and postal orders.