The Cartoon Museum

Inside the Cartoon Museum in London.

This is the fourth in the series of blog posts about places we went to in London – you can also read about the Bank of England Museum, the Cute exhibition at Somerset House, and the Young V&A.

On our last day in London, we went to the Cartoon Museum in Soho. It’s a relatively new museum, opening initially in 2006 and in its current location in 2019. It’s also quite small – allow a maximum of two hours – but with plenty to see. The walls are packed with illustrations going back a couple of hundred years, right up to now – the newest being Ben Jennings’ cartoon of Queen Elizabeth II taking the Elizabeth Line into the light when her death was announced in September 2022. It is mostly lots of pictures on walls, but there is a Spitting Image puppet on display as well.

At the moment, there’s a Wallace & Gromit exhibition, marking 30 years since the release of The Wrong Trousers. There’s several models on show, as well as some behind the scenes photos and some of the equipment used to film it. You can also see the actual Oscar that Nick Park won, although no photos are permitted of this. The exhibition is on until the 16th April.

A smaller exhibition shows the work of Oluwasegun Babatunde, a Nigerian comic artist who created a team of superheros based in Sub-Saharan Africa during the Covid-19 pandemic. This is on until the end of this month.

There’s also an activity room where you can create your own comic strips, and of course the ubiquitous shop.

Accessibility

The nearest tube stations to the Cartoon Museum are Oxford Circus and Tottenham Court Road. The museum is located in a basement, down a set of stairs, and sadly the lift has been broken since 2022. A recent crowdfunder to fit a new lift didn’t quite reach its goal but hopefully this will be fixed soon. Ear defenders and sensory backpacks are available to borrow once inside.

Young V&A

A photo of the interior of the Young V&A.

This is the third in the series of blog posts about places we went to in London – you can also read about the Bank of England Museum and the Cute exhibition at Somerset House.

The Young V&A is the new name for the V&A Museum of Childhood. It’s still in the same place, outside central London in Bethnal Green, but the new name reflects a complete refurbishment. We last went in 2017, and it’s changed massively since then. Before, it was very much a museum, with lots of objects in big glass cases and not much to interact with. Now, whilst there are still some objects to look at, it’s a much more interactive space, and somewhere to bring young children to play. Indeed, our eight-year-old was probably one of the older kids there. Dropping the ‘museum’ from the title therefore makes sense.

The gallery spaces have been split into themes – Play, Imagine and Design. Play arguably caters for the youngest children, although there’s a big screen with a playable Minecraft version of the museum (thankfully it resets regularly to discourage hogging). Imagine includes the dollhouse collection from before, and design looks at how products are designed. There’s a particular focus on recycling waste into useful furniture.

Japan: Myths to Manga

Japan: Myths and Manga

Then there’s an exhibition space, and the opening exhibition is called Japan: Myths to Manga. Whilst the main museum is free to enter, you have to pay to access the exhibition space, and tickets are limited. We made the mistake of not booking in advance, so when we were ready to visit the exhibition on a Saturday afternoon, no more tickets were left. So, we ended up booking tickets for the Sunday and came back the following day.

Personally, I concur with Ianvisits and found the exhibition a little under-whelming, but my wife and child seemed much more engaged. The exhibition is rather sparse, and I would have expected to see more objects there. However, I’m not in the target market for this and we did spend over an hour in the exhibition. There’s several clips from Studio Ghibli films to watch and plenty of Pokemon; but it was also good to read about the traditional Japanese stories and myths which inspired these works.

Accessibility

Because our hotel was located between Aldgate and Whitechapel, we caught the bus to the Young V&A, but it’s also a short walk from Bethnal Green tube station which is on the Central Line. It’s also not too far from Cambridge Heath station on the London Overground, on what will soon be known as the Weaver Line. Around the corner is the new permanent home of the Vagina Museum, although we didn’t have chance to visit this time around.

As you would expect from a recently-renovated museum, there is step free access everywhere, and there’s a dedicated quiet space in the Reading Room. Which we found quite welcome; although the renovation has been extensive, it’s a listed building and so there are limits. Any building popular with children is bound to be noisy, and the open space in the middle is quite echo-y.

Sci-Fi Weekender XV

A photo of a panel interview at a previous Sci-Fi Weekender in Great Yarmouth.

If you’re reading this blog post today or tomorrow, then I’ll be at Sci-Fi Weekender XV in Great Yarmouth, along with Christine and a large group of friends. As usual, I’m writing this in advance on a very old and wet Sunday – perfect blogging weather.

This is our seventh Sci-Fi Weekender event; the first one we went to was SFW 9 in 2018, near Pwlheli in North Wales. Our child was only two at the time so we went as a family, although that meant missing out on the evening activities, including John Robertson’s The Dark Room. It took us a while to work out why everyone was calling each other Darren and why there were so many pineapples everywhere.

Sci-Fi Weekender has moved around a bit over the years. The first event was in Pontins in Camber Sands on the south coast of England, but it had spent a few years in Wales before our first visit. SFW X (part I) was in Sheffield city centre, after changes to the site in Wales meant it could no longer be held there, and it’s been at the Vauxhall Holiday Park in Great Yarmouth since 2019 (SFW X part II). We’ve been to all of them since 2018, although after our first time we’ve had childcare in place. Not least because it’s a Thursday-Friday-Saturday event and it’s not a valid excuse for taking a child of school on the Friday.

Neil and Christine with Brian Blessed at Sci-Fi Weekender XIII

What is Sci-Fi Weekender?

Sci-Fi Weekender is perhaps best described as a residential science fiction and fantasy festival (or ‘Space Butlins’, if you will). It’s not a comic-con (like Thought Bubble, which we went to in 2014 and 2015), and there are usually only a handful of stalls. The main focus is entertainment, cosplay and interviews with actors and celebrities. It doesn’t tend to get many big names, although Peter Davidson (the fifth Doctor, and father-in-law to David Tennant) is the top-billed name this time. Previous SFW events have included Brian Blessed and Nina Wadia.

It tends to take place in holiday parks (the Sheffield years excepted) so that the majority of attendees can stay on site, and it also gives it a more intimate feel. Many guests stay the whole weekend, and some even mingle with attendees. Professor Elemental, who we’ve now seen seven times (eight if you include this weekend) always performs and usually gets involved in hosting a panel. We’re also looking to Madam Misfit‘s third visit.

Whilst the Vauxhall Holiday Park at Great Yarmouth is good, it’s a bit of a trek from Yorkshire. It’s roughly a four hour drive, and about the same by train but with three changes from Sowerby Bridge. We’re driving down as we’re offering a lift to some friends who are also going.

Also, don’t ask about the numbering. SFW X was delivered as two events, and then XI and XII didn’t happen because of you know what.

Build Something Better by Grace Petrie

Album cover for Grace Petrie's Build Something Better

There’s a new album out by queer folk singer Grace Petrie this week, called Build Something Better, and I think you should buy it.

Grace is someone who I’ve seen live a couple of times, mostly supporting Josie Long on tour. She’s always fantastic to see live; not just because her music is great, but because she can work a crowd between songs. I was not at all surprised when she did a stand-up comedy show at the Edinburgh Fringe Festival in 2022 called Butch Ado About Nothing. Of her previous songs, Black Tie, from her 2018 album Queer as Folk is the one that probably resonates the most with me.

Her last album, Connectivity, reached in the UK album charts without much promotion. Grace is not on a major label – hence the links to her music on Bandcamp – and I gather its appearance in the top 40 was a surprise for her. This time, for Build Something Better, Grace is aiming to get into the charts again. So, if you can, please buy the album today or tomorrow, to give it the best chance of charting.

You can stream Build Something Better on Spotify if you want, or I suppose you can buy it on Amazon (sponsored link). But if you buy it on Bandcamp, you can pay more and more of your money goes to Grace. And it’s available in a variety of music formats, including lossless audio, if that’s your thing, with no digital rights management. However, if you do buy it from Bandcamp, make sure you download it, as simply purchasing the music isn’t enough to count for charts.

I’ve had a listen to a few of the songs so far, having bought it at the weekend, and I’m enjoying them so far. It’s already at Number 17 in the midweek charts, so a few more sales could get it into the top 10.

Cute at Somerset House

The Cute exhibition at Somerset House in London.

After we spent the morning at the Bank of England Museum, the second place we visited on our trip to London was Somerset House for their Cute exhibition.

Like previous exhibitions at Somerset House, Cute includes some new commissioned art and existing pieces, as well as donated memorabilia. Back in 2021, we went to an exhibition about the Beano, and this filled the same space in the South Wing. It’s an exploration of cute things and its impact on society, including kawaii.

Hello Kitty

The exhibition also marks the 50th anniversary of Hello Kitty, and a large section of the exhibition is devoted to the memorabilia collected by one person. Including Hello Kitty Spam.

There are some interactive parts too. There’s a room with some arcade games, old and new, including some indie games like Froggy Pot.

Some of the art produced for the exhibition is AI generated, and the theme image features a kitten with a unicorn horn and seemingly seven paws. I suspect that they’ve kept this in because it shows the weird-er side of cuteness.

Pop-up cafe

Alongside the exhibition is a pop-up Hello Kitty themed café. We had to queue to get in, as it’s a small space, but the food was nice albeit very full of sugar.

The exhibition runs until the 14th April, so you’ve got about five weeks to go to see it. We went on a Friday when walk-up tickets were available, but I imagine it’ll be busier at weekends and so you may wish to consider pre-booking. You can also look at all of the objects online at cute.guide.

Accessibility

The southern entrance to Somerset House is the closest to the exhibition, and is very close to Temple tube station on the District and Circle lines. It’s also close to Waterloo Bridge. Whilst there are stairs, all are duplicated by several lifts giving access to the exhibition, which currently have furry insides. Access packs, containing large print guides, noise-cancelling headphones, magnifying glasses and a stress ball, are available to borrow from the box office.

Bank of England Museum

A photo of the new King Charles coins and bank notes at the Bank of England Museum in London

The first place we went to on our trip to London last weekend was the Bank of England Museum. Which is pretty much what you would expect it to be – a museum based at the Bank of England headquarters in the City of London. Access is via a side entrance, and, as you would expect, you have to go through a security scanner to get in.

This is only the second time that I have been to the Bank of England Museum. The first time was a long time ago. I can’t remember exactly when, but I was definitely still living at home, so probably 25-ish years ago. Part of the reason for this is that the museum is only open on weekdays, and we normally visit London at weekends. As we had the benefit of an extra day, we were able to visit last Friday.

It’s not a big museum – a typical visit will take 1-2 hours – but it’s free to get in. And the exhibits are regularly updated. As shown in the photo above, there are samples of the new coins and banknotes featuring King Charles III which are not yet in general circulation. I was also amused by the satirical FTX t-shirt in an exhibit about cryptocurrencies. These are in a new exhibition called The Future of Money, which opened a couple of days before we travelled and runs until next September.

Like many museums, the Bank of England Museum has also acknowledged the darker sides of its past. Recent new exhibits include copies of ledgers listing the names of slaves that came into the bank’s possession, and there’s a display about the Windrush generation. On arrival in the UK, many of those who travelled on the Empire Windrush to start new lives were denied access to traditional banks, and the museum has a series of panels on Pardner Hand to allow people to borrow or save money.

Other permanent exhibits include some examples of forged bank notes (including some introduced by the Nazis in the Second World War to de-stabilise the economy), and of course there’s plenty on the history of the bank.

If you haven’t been to the Bank of England Museum before, I’d recommend going. It’s not a full day out, but it’s free and there are some interactive elements for children.

Accessibility

Predictably, the nearest tube station is Bank, which has step-free access from the Northern and Waterloo & City Lines, and the DLR. There are steps in the museum, including at the entrance, however, security staff can escort those with mobility issues from the bank’s main entrance and ramps can be provided once inside. There isn’t a quiet room, but ear defenders are available to borrow.

Back from London

An LNER Azuma train at York station, due to depart to London King's Cross station

We’re back from our trip to London. We got there a bit later than planned, due to action short of a strike by the drivers’ union ASLEF resulting in our planned train from Leeds to London being cancelled. This wasn’t ideal, as it meant we didn’t arrive until 10pm; however, we made it, and had an enjoyable trip.

I’ll post separately about the specific places that we went to over the next week or so. We had also planned to visit the Horniman Museum, as the gallery containing its famous over-stuffed walrus closed this week for two years, but we couldn’t quite fit it in. As usual, Ianvisits was invaluable for finding out about special exhibitions and served as inspiration for a few of our visits.

We managed a couple of trips on the new Elizabeth Line; it was partially open on our last trip to London in 2022 but we didn’t need to use it then. The stations are impressive and I appreciated the greater accessibility, but I couldn’t help but feel that the trains themselves already look a little tired. It may be the use of grey interior panels; they felt a little dark and not as bright internally as other new trains elsewhere. It’s good to see it being well-used despite being opened for less than two years.

We normally manage one trip to London each year – we missed 2020 for obvious reasons, but also didn’t manage to go last year either. We may have a shorter visit later this year, but with journeys taking 3 hours each way and the costs, it’s not something that we can do on a whim.

OpenBenches

Screenshot of the OpenBenches web site

Have you ever wondered if there was a list of benches with public dedications on them? Well, I haven’t, but there is one and it’s called OpenBenches.

It’s similar to Open Plaques, which is crowd-sourced list of plaques on the sides of buildings commemorating notable people or events that happened. OpenBenches, meanwhile, is for people who may not have been notable, but were loved and missed by their friends and relatives after their passing.

Anyone can submit a bench, as long as you can upload a photo of it that is geotagged. With most photos being taken with phones these days, this isn’t much of an issue. Of course, the bench should have a dedication on it, and you’ll need to type out what the dedication says. Submissions can be made anonymously, or by logging in using an account on Twitter/X, Facebook, GitHub or WordPress.

There’s now over 30,000 benches on OpenBenches, all with a location, a photo and a copy of the text of the dedication. However, over 28,000 of them are in the UK, with few elsewhere. That may be because dedicating a bench to someone is more of a British thing, or because its developers (Terence Eden and Elizabeth Eden) are British.

There aren’t any benches listed on there in my town of Sowerby Bridge yet. I think there are some eligible benches nearby, so maybe I should take the time to go and take photos of them to add them.

Pop Music Activism

Screenshot of the Pop Music Activism web site

Have you ever been frustrated that some older music isn’t available on digital platforms like Spotify or iTunes? You’re not alone, and Pop Music Activism is trying to do something about it.

There are several reasons why music is missing from these platforms, and indeed there’s a list of the common ones. A lot of dance music from the 1990s and 2000s is missing, and this is often because songs were released by different labels in different countries. It wasn’t until the late 2000s that Spotify came along.

For some artists and bands, you may find their albums there, but not their singles. So remixes and b-sides are harder to come by. Or you may find that the song you want appears in a web search, but when you follow the link, it’s been geo-blocked.

This is where Pop Music Activism comes in. They track down who has the rights, and politely badger them to get the music online. And it works – the home page of the web site has hundreds of releases that are now available to legally stream and download. There have been some particular successes, such Things That Go Bump In The Night by *allStars, which after becoming available again appeared in lots of Hallowe’en playlists and has clocked up over 4 million streams on Spotify. Whilst Spotify pays a fraction of a penny per stream, it’s more than the nothing that these songs were earning before, due them not legally being available anywhere.

If you want to keep track of what ‘new’ old songs become available, you can follow them on Twitter/X. Usually, there’s something new each week on a Friday. It’s about the only reason I still occasionally log into Twitter nowadays. There’s also a monthly email list which I’m on, but can’t seem to find the subscribe link.

CarPlay with Home Assistant

A screenshot of the CarPlay home screen showing the Home Assistant icon

There’s now a CarPlay app for the Home Assistant Companion app on iOS. This means that it’s possible to control (some) of your devices connected to Home Assistant whilst driving.

I like CarPlay, and have a standalone unit in my car. Most CarPlay apps are designed for either navigation or for listening to audio content whilst driving, but Apple has allowed some other apps more recently. For example, the RingGo parking app is now available in CarPlay; I wish the same could be said for the four other parking apps I have installed.

The Home Assistant app has four tabs: Actions, Areas, Control and Servers. Areas gives you the list of rooms that you have defined, and from there you can access some of your devices. Control gives you a big list of all of the devices that have a function that can be controlled whilst using CarPlay – mainly buttons and switches. Meanwhile the Servers tab is there in case you’re able to log in to more than one Home Assistant instance.

Actions are unique to the Home Assistant Companion app. They link to automations, but have a specific trigger. At the moment, I’m only really using actions to control my Nest thermostat as this is usually the only thing I want to control outside the home. Actions are also used by widgets on iOS, and by the Apple Watch integration. They’re a bit of a faff to set up at present; this video seems to be the best guide to setting them up.

It should be noted that Home Assistant also supports Android Auto, and indeed has done for longer. CarPlay support was new in January but it’s taken me until now to get it set up and remember to take some screenshots.

I’m really happy about this new feature, as being able to safely control my heating whilst driving isn’t something I’ve been able to do before. It makes the time that I’ve spent setting up and tweaking my Home Assistant server worthwhile.