It’s not a paper that I would choose to read, but in the Daily Express last week was an article entitled ‘Britain’s best high streets‘, and, pleasingly, it mentioned Wharf Street in my adopted home town of Sowerby Bridge – pictured above during the Rushbearing festival.
Now, since it only features three towns, it’s not exactly an authoritative article and I’m sure there are many better high streets out there. But Wharf Street is pretty good as high streets go – we have an independent bakery, grocer, butchers, a post office, two banks and a wide range of specialist and boutique shops. There’s also a number of restaurants, including two good curry houses, and a bistro which is listed in the Good Food Guide. And there’s a market which is open most days of the week.
Sowerby Bridge’s high street has held up against two supermarkets. Lidl is just up the hill, and there’s a reasonably-sized Tesco at the western end of the town. It’s probably because the independent shops here tend to offer services that are better than, or different to, what the supermarkets can provide.
It’s not perfect though. Three of the pubs on Wharf Street are currently shut – two have closed recently and one has been shut for some time. And with it being the main road between Halifax and Rochdale it is very busy with traffic, making it a rather noisy place to be with rather narrow pavements. However, the variety and quality of shops is one of the things that drew us to the town and, two years after moving here, we’re still generally in love with the place.
This blog post will probably be only be useful to a small niche. If you have a Mac, with a printer, and run Windows in VirtualBox, here’s what you need to do to get it to work.
Step 1: Make sure your printer is shared on the network
On your Mac, open System Preferences, choose Print & Scan, and then select your device on the list on the left. Tick ‘Share this printer on the network’.
Step 2: Check network settings for your virtual machine
In the VirtualBox manager, open your Windows virtual machine’s settings, and under Network, ensure you’re using ‘Bridged Adaptor’ rather than ‘NAT’. This will make your life much, much easier later on.
Step 3: Install and set up your printer using Bonjour
Bonjour ships on all Macs, but not on Windows, which is a shame because it makes setting up network connections much easier. Thankfully, Apple offers a cut-down version for Windows computers, so download Bonjour Print Services for Windows, and install it. This will add a ‘Bonjour Printer Wizard’ icon to your desktop.
Run the Bonjour Printer Wizard. If you’ve done the first two steps correctly, your printer should be listed. Click Next, and, if you’re lucky, Bonjour will install the correct driver and add the printer to Windows for you. Sorted. If not, then…
Step 4: Install the printer driver in Windows
Sometimes Bonjour won’t be able to identify which printer driver you need and will ask you to select it. Again, if you’re lucky, your printer will be one of those that Windows ships with, but if not, you may reach an impasse here. Some people have had luck with using a driver that is similar to their printer, but this doesn’t always work.
Instead, we’ll connect the printer directly to Windows to convince it to install the driver that way. VirtualBox lets you bridge any USB device which is plugged into your Mac, so that the virtual machine can see it. Turn your printer on, and then whilst Windows is running, click on the Devices menu in VirtualBox, select USB devices, and then choose your printer. Windows should detect that the printer is now ‘plugged in’, and so it will install the necessary drivers. Complete the installation, disconnect your printer using VirtualBox and then shut down both your virtual machine, and your Mac, to ensure that your printer is correctly picked up by your Mac on the next boot.
Start your Mac again, and then open Windows in VirtualBox, and try to run the Bonjour Printer Wizard again. Hopefully, this time you’ll be able to select your printer driver from the lists when presented (annoyingly it’s not searchable).
This still didn’t work for my printer, so I had to do one final trick. I clicked ‘Have Disk’, and then browsed to the c:\Windows\System32\DriverStore\FileRepository folder, then sorted the sub-folders by date. My printer is by HP, and one of the newly-created gobbledegook folders had ‘HP’ in the title which turned out to be my printer. I selected this, and was finally able to get the printer working, with the above test page as proof.
Why not just connect the printer directly?
In step 4, I mentioned you can simply connect your printer directly to the virtual machine, thus avoiding the dilly-dallying around with Bonjour. This works, but it’s flaky; once you’ve connected your printer to Windows, you may need to reboot your Mac before any Mac applications can print to it. Whilst setting up Bonjour is more effort initially, once it’s done, you should find it easier to work with.
If anyone’s interested, I went through all of this because I wanted to print out a coupon for a free one litre carton of grape juice and couldn’t get the Coupon Printer to work correctly on my Mac.
On Tuesday, I donated a pint of blood, for the first time.
It’s been something that I’ve been meaning to do for quite some time. I’m already an organ donor (I carry a card around which shows that I give consent for my organs to be used in transplants after my death), but until now I’ve never given blood.
I couldn’t donate throughout much of 2007 and 2008, as I had been on high-strength steroid tablets due to flare-ups with my asthma and my overnight stay in hospital in November 2007. But although I’ve been okay since then, I admit that I’ve simply never got around to it, even when there have been donation sessions at work.
My big worry was that it would hurt. And it did – a bit. For me the worst bit was the needle being inserted at the start; the pain was similar to when I’ve had vaccinations but lasted a little longer. However, once it was in, it was okay – a little uncomfortable, but not painful, and it was done after around 10-15 minutes. All in all, I was there for about an hour, due to me being a new donor and needing a slightly longer medical check first.
Afterwards, the site where the needle went in was a little tender for a few hours, but I didn’t receive any bruising and there was just a small red dot when I took the bandage off.
I’ve already booked another appointment, for mid-March next year, to donate my second pint. If you want to give blood, you can find details at blood.org.uk – the NHS needs a constant supply of blood and so if you are healthy and can spare the time I’d urge you to do it.
On Saturday, I decided to upgrade to Windows 8. I’ve been running a virtual machine with Windows Vista Business for some time, firstly in Parallels Desktop but later converted to VirtualBox. I never bothered upgrading to Windows 7 due to the lack of differences between the two; obviously 7 is a big upgrade from XP but not from Vista.
Another major factor is that, at the moment, existing Windows XP, Vista and 7 users can upgrade to Windows 8 Pro for a mere £24.99 as a digital download, or more if you need it on DVD. It’s a very good deal, but it’s only valid until early next year. And since I’d also heard that Windows 8 should run faster on the same hardware, upgrading seemed like a really good idea.
To upgrade, you should download the Upgrade Assistant which checks your current installation for compatibility and then downloads the files. You can then either proceed with the upgrade, or save an ISO file to a USB drive or DVD-ROM. I decided to proceed, but told the installer not to keep any of my documents or settings; after all, it was a virtual machine and anything important had been saved to Dropbox and was therefore available elsewhere.
This turned out to be a mistake, frankly. It installed the files, restarted a couple of times, and then froze. No animation, no CPU activity, no disk activity. So, I hard reset the virtual machine. At which point, setup decided that the installation had failed, and set about restoring Windows Vista. So, after a few hours, I was back at square one.
This time, I told the installer to save the ISO file, which I placed in a shared folder so it was accessible by my Mac as well. I then shut down the virtual machine, and created a fresh, new VM in VirtualBox with the optimal Windows 8 settings. Bear in mind that my previous VM was originally a Parallels VM, was then converted to the VMWare format, and then used with VirtualBox 2; now I’m on VirtualBox 4.2. I mounted the ISO file mounted as the CD drive, booted up, followed the instructions, and within the hour I was up and running with Windows 8. Success!
…or so I thought. Opening the ‘classic’ desktop environment saw the little icon for the Windows Action Centre pop up, telling me I needed to activate Windows – which was odd because I had entered the product key during installation. So I re-entered it, only for Windows to pop up a 0xC004F601 error, telling me that the product key was only valid for upgrades and not a clean installation like this one.
Some expletives were issued by me at this point, but thankfully Google saved my sanity as I found this blog post which explained a workaround. I had to edit the registry to change a value, re-run the activation manager and then reboot, but after this Windows activated with no problems. Phew.
Obviously I still have the old Windows Vista VM lying around but as that license is now invalid due to the upgrade I’ll be deleting it. That, and I shouldn’t need it anyway.
I’ll write more about my actual experiences of using Windows 8 when I’ve had a longer opportunity to use it. So far, it seems okay, and the ‘classic’ desktop is almost exactly the same as Windows 7. I’ll have to play with the new desktop (formally known as ‘Metro’) a little more before passing judgement.
I’m writing this blog post whilst waiting to connect to play a bit of World of Warcraft: Mists of Pandaria. Although the game has been out for several weeks, a combination of a lack of spare time and the server being full (as shown in the screenshot) with queue times exceeding an hour, has meant that my main character is only level 86. That said, I’ve managed to get around 12 hours of playtime in the new expansion, and, generally, I like it.
As you will know, if you’re a long-term reader, I’ve been a World of Warcraft player since June 2006, although I’ve not played as much since 2009 when I quit regular raiding and decided to just become a casual player. I’ve therefore played every expansion, and also the classic pre-expansion game as well.
Prior to Mists of Pandaria, the second expansion, Wrath of the Lich King, was my favourite. It built on the improvements of the first expansion, The Burning Crusade, but had a much better story, and some great quests – the Wrathgate and ensuing Battle for Undercity being especially memorable. The third expansion, Cataclysm, wasn’t quite so good; there wasn’t much to it in terms of max-level content (the release of the expansion coincided with a complete rework of the original game content, so resources would have been split), and it felt disjointed as the new zones were spread out without a strong consistent story between them.
I’m therefore glad that Blizzard has reverted to its classic expansion formula for Mists of Pandaria, where there is plenty of new content, on one new continent. And there certainly seems to be plenty of content – I’m about 39% of the way to level 90 and I’ve only managed to finish the first zone and a bit of the second; there are seven new zones in all. And the quests in that first zone, although less strictly linear than before, all led to one big plot moment at the end which was great. Like with the first two expansions, you can’t use flying mounts until late on in the new content, which also helps to provide the immersive experience that Cataclysm lacked. Although I’m a long way away from level 90, I also gather that there’s a lot more to do when I get there.
…And now I’m connected. It took 20 minutes rather than 15. The screenshot lies.
It has now been well over a year since the official Twitter app for OS X was last updated. It launched with the Mac App Store in January 2011, and the most recent version, for Snow Leopard, was released in June 2011. Since then both Lion and now Mountain Lion have come along, and yet Twitter haven’t made any changes.
Early signs of ‘bit rot’ are setting in:
There’s no support for posting images using Twitter’s own image service (pic.twitter.com) – you have to use a third-party service
Of those third-party services, pix.im is listed but it no longer works
Promoted tweets and trending topics do not show in the timelines, as they do on the web and in the official mobile clients
It’s a shame to see the official client abandoned in this way. I used it as my main Mac desktop client for quite some time, before switching to Osfoora and then Tweetbot for Mac. And before January 2011 I used Tweetie, which was bought by Twitter and became Twitter for Mac. It’s especially concerning when Twitter has been discouraging third parties from developing ‘traditional’ timeline clients, because at present it’s the third-party clients that offer up-to-date features.
So my new iPhone 5 has finally come. It’s not quite the model I was intending – I had ordered a black 16 GB model, but an order mix-up with 3 meant that I didn’t receive it as planned on Friday and after talking with a very nice person at customer services I ended up with a white 64 GB model, at no extra cost. I’d have preferred a black one, but I can’t argue with getting four times the space for the same price. I’ve saved in the region of £150 as a result.
Because I backed up my iPhone 4 to iCloud, when it came to setting up my iPhone 5 I just needed to connect to wi-fi, give it my iCloud login and tell it to restore from the cloud backup. This meant that all of my settings and apps would be automatically installed, just as they were on the old handset, which saved a huge amount of time getting the phone set up. It wasn’t totally smooth – stored passwords didn’t seem to copy, for example, and some apps like Pocket needed re-installing – but much better than starting from scratch. In particular, my progress on games such as Angry Birds was carried over, to my relief. Many of the apps I use regularly, like the aforementioned Tweetbot and Pocket, have been updated for the new larger display, but older apps do work okay. Apple did a good job of implementing the letterbox mode for these.
Physically the new phone is much nicer to hold – it’s noticeably lighter and thinner, and the edges don’t feel as sharp as they do on the iPhone 4. You can still use it easily with one hand too, unlike the wider screens on some Android phones which require you to change hands to reach far off corners of the display. The new Lightning connector is nice, although I’m a little less happy at the prospect of forking out £15 for an extra cable; plus, with 2 iPods and an iPhone 4 in our household we’ve no shortage of the old cables. I’ll also need to look into buying a case for the iPhone 5, as Apple haven’t released any bumpers for this model like they did for the 4 and 4S, nor do they sell any third party cases in Apple Stores, as Dave found out.
The new phone is much more responsive than my old one – apps work faster, especially Foursquare and Tweetbot. Support for HSPA+ also makes web pages download more quickly, and provides a small speed jump ahead of 3 rolling out 4G LTE services next year.
I’ve also had a play with Siri – I’m quite impressed that it understands almost everything I say (I have a northern accent) although it can’t always find data. I asked it about a local rugby league team, Bradford Bulls, and it interpreted it as the Chicago Bulls. For information about local places it uses Yelp, which is rather rubbish in the UK – searching for a nearby Nando’s found one in Leeds but not the two in Bradford which were much closer to me at the time.
All in all, I’m really impressed. Whilst it’s definitely an evolutionary, rather than revolutionary device, it’s a clear improvement over the iPhone 4.
This weekend, like every first weekend in September, is the annual Rushbearing festival in my adopted home town of Sowerby Bridge. It’s a modern revival of a tradition which originally saw freshly harvested rushes being delivered to churches in the area to cover the floors. Although it died out in the 19th century, it was revived in 1977 to celebrate the Queen’s Silver Jubilee. 35 years later, in the Queen’s Diamond Jubilee year, it is still going.
The modern event takes place over two days – the Saturday and Sunday of the first weekend in September. It involves local men pulling a one (imperial) ton cart around the town to deliver a token rush to each of the town’s churches. The cart also calls at most of the town’s pubs, of which there are a lot – 14 just in the town centre itself. Essentially, this makes the rushbearing a large and very glorified pub crawl, and indeed many of the participants carry a tankard. In fact, there are even several tankards attached to the cart itself.
The same cart is used every year, and this one was built in 1984. A ‘cart maiden’, usually an 18-year-old girl, sits atop the cart and waves at people. Behind the cart is usually a marching brass band and several traditional British dancing groups – usually Morris Dancers, but in various different forms.
Last year we missed the Rushbearing as it was the same weekend as Bingley Music Live. But with the somewhat lacklustre line-up, increased ticket prices, and the need to save money for our forthcoming nuptials, we decided not to go this year. This gave us chance to experience a rather different festival closer to home. Although I’m sure the nice weather helped, it was well-attended with many people turning out to line the streets, and patronise the various drinking establishments that the cart called at en route.
Modern-day rushbearing isn’t unique to Sowerby Bridge and it does take place at other northern towns and villages, although these are all in Greater Manchester, Lancashire or Cumbria; Sowerby Bridge is the only Yorkshire town to retain this custom. For a town that is home to yuppie commuters like ourselves, it’s nice to see it keeping in touch with some traditions.
Good password practice should mean that passwords are hashed, using a one-way algorithm, and ideally salted as well. Tesco claims its passwords are stored in an encrypted format, but presumably this is a symmetrical encryption method because if you forget your password, Tesco will email it to you, in plain text. Remember, email isn’t encrypted so anyone who is snooping your emails will be able to retrieve your password, and log in to your Tesco account.
What makes this worse is that Tesco doesn’t allow for particularly strong passwords, either. They have to be a maximum of 10 characters, and can only contain letters or numbers. Even worse is that passwords aren’t case sensitive, and top it off, the tesco.com web site uses very old versions of Microsoft’s IIS and ASP.Net, which are potentially more vulnerable to security attacks.
If you have a Tesco account, I’d therefore strongly suggest that you ensure the password you use is unique (this is good advice for any web site but especially applies here) and that you don’t store your credit card details with Tesco. If you don’t use Tesco anymore, then you could contact them to ask them to delete your account, citing fears about their security.
Of course, Tesco are far from being the only offenders here, and Plain Text Offenders collects various emails from web sites who will also send you your password in plain text.
If you fancy an evening of entertainment, for free, then one great way of doing this is by being in the audience for a TV recording. Many TV shows are recorded in front of a live audience and in the vast majority of cases the tickets for the audience members were given away free. Christine and I have been to a couple of recordings ourselves, and I have some knowledge to impart on the subject.
1. Find out where to get tickets
There are a number of different companies and organisations that offer tickets. Sometimes this is the broadcaster or the production company itself, but more often that not a third-party company will provide the audience and there are a number of such companies that operate in the UK.
They will list the shows that they are currently offering tickets for; you may also find that you can join a waiting list for tickets for their more popular shows, even if they are not due to be recorded for some time (remember that some shows are recorded as much as 6 months in advance of transmission).
The main ones to look at are:
BBC Shows – for TV and radio programmes made by the BBC themselves
Applause Store – for big shows like X-Factor, Big Brother, but also shows like QI as well.
TV Recordings – some smaller shows like Russell Howard’s Good News and Not Going Out
SRO Audiences – generally used for Channel 4 shows like 8 Out Of 10 Cats and 10 O’Clock Live
Lost in TV – game shows like Superstar, Who Wants To Be A Millionaire
Many of these let you sign up to an email list, so that you are notified when tickets become available for new shows.
2. Most shows are recorded in London
London has more TV studios than the rest of the UK so the majority of recordings take place there. This is great if you live near London but a bit of a pain for us Northerners. You will find some in Birmingham, Manchester and Salford from time to time though.
3. The tickets are not for resale (so don’t buy or sell them)
Because the tickets are free, some people try and sell them on sites like eBay for a quick buck. Don’t do this – if the company offering the tickets finds out, you’ll find the tickets cancelled and you may be barred from future recordings. And, if you buy tickets this way, don’t be surprised to find yourself turned away if the tickets were cancelled, leaving you out of pocket.
4. You need to get there early
By early, I mean at least an hour or more before the doors open. This may seem extreme but empty seats in an audience looks bad, so the audience companies offer more tickets than there are seats, to compensate for no-shows. Unfortunately, should everybody turn up, if you’re at the back of the queue you may be turned away if all of the seats are already full.
For this reason, I’d advise against making special trips to places just to be in the audience. It’s happened to me before.
On the plus side, if you do turn up but the recording is already full, generally you will be put on a ‘priority list’ for a future recording.
If you do get in, then be prepared to wait around for some time before the recording starts – so bring something to read if you’re easily bored.
5. If you can’t go, let the audience company know
When you book tickets in advance, there’s always a chance that, nearer the time, something crops up which means you can’t make it. In this case, contact the company that issued the tickets, tell them that you can’t make it and ask them to re-allocate the tickets. Whilst I mentioned earlier that these companies do compensate for no-shows, by surrendering your unused ticket, you may give somebody else on a waiting list a chance to go instead. Plus, it keeps you in good standing with the audience company – if you don’t show up, then they may decide that you’re an unreliable guest and you will be less likely to get tickets in future – especially for the more popular shows.
6. If you attend regular shows, you may get priority tickets
If you build up a good reputation with a particular company, by showing up on time regularly (and surrendering unused tickets), you may be issued with ‘priority tickets’. This means you’ll be let into the studio first and will probably get the best seats, and often allows you to jump the queue. However, it’s still not a guaranteed seat, and generally you will have to turn up even earlier.
7. Don’t expect to be treated like a paying customer
When you pay to attend an event, you will have some expectations, such as comfortable seats and being treated nicely by staff. The opposite applies here – by attending on a free ticket, you are doing the programme makers a favour. You may find that you’re sat on an uncomfortable wooden set, and you will be expected to follow the instructions given to you by staff at the event. In particular, this includes turning off your mobile phone during the recording (in case there’s interference with radio microphones), keeping quiet when you’re told and also laughing or applauding when required. Hopefully the show will be enjoyable, but if you’re at a comedy recording your role is to laugh at the jokes regardless of how funny (or otherwise) they are.
8. To get tickets to the big shows, you may need to go to smaller ones
The bigger sites like Applause Store are contracted to find audiences both for the big, popular shows, and for new, less-exciting-sounding shows. To encourage people to go to these new shows, you may be offered a deal – go to relatively unknown show X, and get priority tickets to big show Y. Whilst this could mean sitting through a rubbish game show to be broadcast during the daytime on a little-watched digital channel, you will be doing the audience company a favour and so they will be more likely to offer you the chance to see the bigger shows.
9. Tickets for the big shows go quickly
And by quickly I mean within hours. A show like Have I Got News For You will fill up all of its audience seats for a whole series in less than a day, so join Hat Trick’s email list to find out what time the tickets go on sale, and then get them as soon as you can.
10. It takes longer to record a show than it does to broadcast
A half hour TV show may take nearly two hours to record – what you see on TV is the edited highlights. Before the recording starts, there is usually a warm-up act, and at the end of the recording, any bits that didn’t tape properly or were missed out will be re-recorded. Live recordings will fill the allotted time, of course, but bearing in mind that most recordings are done in the evening, it’s probably best not to plan to do anything afterwards. Also, make sure you eat something before, or whilst you are queueing, if you would otherwise miss a mealtime or you’re concerned at the prospect of not eating something for three-to-four hours.
