Frogs behind the scenes at the Manchester Museum

A photo of one of the red eyed leaf frogs at the Manchester Museum, being handled

It’s taken us almost nine months, but we finally got to redeem Christine’s Christmas present, and go behind the scenes at the Vivarium at the Manchester Museum to meet their collection of frogs and toads at the weekend just gone.

The Vivarium is actually a little unusual for a museum to have. Whilst the Manchester Museum is full of animals, these are mostly stuffed, whereas the Vivarium includes live animal specimens. There are a variety of amphibians and lizards on show, but frogs and toads make up the majority of the exhibits. Some are on show, but a number of species are kept behind the scenes, and this was what our tour allowed us to see.

There are a couple of notable species of frog that the Manchester Museum cares for.

A photo of a Variable Harlequin Toad, one of the species of frogs at the Manchester Museum

The Variable Harlequin Toad

This species was, at one point, declared extinct as none had been seen in the wild for some time. Thankfully, a small colony was found in Panama, and six live specimens – three males and three females – were brought to the Manchester Museum. Thankfully, they’re now ‘merely’ critically endangered, and the Manchester Museum has been successful at breeding them. Indeed, it’s the only place in the world where you can see this particular species in captivity.

With the numbers remaining being so small, breeding is tightly monitored to encourage better genetic diversity, and so the males and females are kept separate. The tanks face each other, so the males could still see the females and were, to be frank, rather frisky when we visited. It was one of these toads that we sponsored when we bought the package.

Sylvia’s Leaf Frog

Most of the frog species at the Manchester Museum are leaf frogs, and one, the Sylvia’s Tree Frog, was ‘discovered’ here as recently as 2018. They were thought to be the closely related Splendid Tree Frog, which the Vivarium also holds, but had different markings and, following genetic testing, were found to be a different species. They’re kept in adjacent tanks, so you can see how to two species differ. ‘Sylvia’, incidentally, is the name of the granddaughter of the zoologist, Andrew Gray, who first described the species.

We also got to handle a couple of different species of frogs – namely the black-eyed leaf frogs and the red-eyed leaf frogs, pictured at the top. These species tend not to be on show as they’re largely nocturnal, so this presented a good opportunity to see them.

The Vivarium isn’t very big, and so the tour is only scheduled for an hour. As it was, we spent way longer than that chatting with our guide, so we definitely got our money’s worth. It was a great visit, especially for Christine and our ten-year-old who loved handling the frogs.

Closing for refurbishment

If you want to see the frogs for yourself, you’ll need to go to the Manchester Museum pretty soon, as the Vivarium will be closing next month for a refit. It’s due to re-open in the spring, but it does mean that the behind the scenes tours are not available to book at present. In the meantime, here’s a video (also embedded below) when Maddie Moate went on a similar tour around 10 years ago, with Andrew Gray (who would go on to describe Sylvia’s Tree Frog). As well as her YouTube channel, Maddie also presents science shows for young kids on CBeebies. It was this video that inspired me to book the visit in the first place.

Cliffe Castle Museum and Gardens

A photo of the outside of Cliffe Castle Museum

On Bank Holiday Monday, we went to Cliffe Castle Museum and Gardens in Keighley, which is about a 40 minute drive due north from where we live in Sowerby Bridge. We’d been to the gardens before on Good Friday in 2024, but the museum itself was closed and so we went to nearby East Riddlesden Hall instead.

History

Like Penrhyn Castle, Cliffe Castle was never a defensive castle, nor is it all that old as castles go – it’ll be celebrating its 200th birthday in the next few years. Instead, it was originally a smaller country house called Cliffe Hall which was then bought and expanded by the Butterfield family in 1848, adopting its current name in 1878. The expanded building gained a ballroom and conservatories, along with a tower over the main entrance.

In 1949, the castle and its grounds passed into public ownership, with financial assistance from a local benefactor, Sir Bracewell Smith. Smith also funded the building of an octagonal art gallery on the side, and it opened to the public as a museum in 1955. This replaced the previous Keighley Museum at Victoria Hall, which is now used as an events space.

A wide angle photo of the Octagonal gallery at Cliffe Castle

Inside Cliffe Castle

Cliffe Castle is a typical ‘local authority museum’ (a bit like The World of Glass in St Helens) in that its exhibits are an eclectic mix of objects bequeathed to the local authority and its predecessor organisations. However, they are grouped together in themed galleries, so it’s not a complete hodgepodge, and most objects come with detailed descriptions.

On entering, there are several rooms set out from Cliffe Castle’s time as a stately home – namely the reception room and drawing room. These are full of period furniture and some musical instruments. You also get to see the lavish decorations on the walls and ceiling.

Whilst there’s no set route around the museum, we next went into the Working Landscapes gallery, which shows artefacts from local crafts and trades from the past such as weaving and clog-making. That led onto the Archaeology Gallery, which includes various hoards of coins and other artefacts excavated in the area. The most recent of which was the Riddlesden Hoard, found in 2014, consisting of over 100 Roman coins.

Next, we went into what was the Butterfield’s ballroom, but is now the Natural History Gallery. This is full of taxidermied animals, the vast majority of which are either native to the UK or are/were regular visitors. Some of these stuffed animals are quite old, and so are rather faded or just badly stuffed, presumably by someone not familiar with what the animal looked like when it was alive. But it’s a decent-sized collection.

The Airedale gallery tells the geological history of the area, including many fossils, and then there’s a mineral gallery with lots of gemstones and geodes – some of which are quite large.

Upstairs galleries

Upstairs, there’s a small gallery of stained glass windows that have been rescued from local churches and halls. The majority of these windows were designed by William Morris or people working for him.

Then there’s a gallery focussing on Keighley’s local history, with various objects on show, ending with a live beehive. The last bit that we went into was the octagonal art gallery that was added in the 1950s, which has two levels.

Exhibitions

When we visited, there were a couple of small exhibitions. One was about the Keighley Cougars, the local rugby league team which is approaching its 150th anniversary, and the other marks 80 years since the founding of the Yorkshire Wildlife Trust.

Overall, we spent a little under two hours in the museum. This was mainly because we were going at the speed of our ten-year-old – I have no doubt that we could have spread it out to three hours or more if we’d had more time to engage with the exhibits. That’s not to say that there aren’t lots of things to keep kids entertained; there are various opportunities to dress up, or practice weaving, and there are trail guides that can be picked up in the entrance.

The gardens

Cliffe Castle’s gardens have undergone a relatively recent renovation. They are on a hillside, with some impressive water features at the bottom, a childrens’ playground in the middle and then a series of glasshouses and aviaries along the side. The aviaries are home to finches, budgies, cockatiels and, um, guinea pigs, with the glasshouses featuring more topical plants and succulents. There’s a wooded area at the very top, but we haven’t been into that.

Accessibility

The ground floor of the museum is all on one level with no steps, although wheelchair users will need to use a side entrance as the main entrance has a couple of steps. Sadly there’s no lift, although the majority of the exhibits are on the ground floor so those unable to use stairs can still see most of the museum. There is a disabled toilet; those needing a Changing Places toilet will need to go to Keighley Leisure Centre which isn’t too far away.

Entry is free, although a £3 per person donation is recommended. Normally the museum is closed on Mondays, but is open on some bank holidays.

There is a small car park on site, which is free. However, it has a maximum stay of three hours, probably because it’s so small. It was almost full when we got there, before the museum had opened. There is additional parking at the nearby Keighley Retail Park, but check the restrictions there too. The nearest electric car charger is at Keighley Leisure Centre, which is a rapid charger on the GeniePoint network.

Keighley railway station is a 20-25 minute walk from Cliffe Castle, with half-hourly trains to Leeds and Bradford and less frequent trains to Carlisle and Lancaster. Keighley bus station is a 15-20 minute walk; the 903 bus runs roughly hourly between 10am and 4pm Mondays-Saturdays and gets you much closer to Cliffe Castle.

Imperial War Museum North

A photo of the outside of the Imperial War Museum North museum in Salford Quays in Manchester.

Last weekend, I took our ten-year-old to the Imperial War Museum North, in Salford Quays. I’m choosing to post about it today, for a reason that will become apparent if you read on.

The Imperial War Museum North is one of the five branches of the museum; the first was in London, opening in 1917 towards the end of the First World War. There’s also a branch in Duxford, Cambridgeshire, and the Imperial War Museum also cares for HMS Belfast and the Churchill War Rooms. I’ve been to the London museum once; I was very young and so my memories are vague, but the Queen Mother was also visiting on the same day, presumably to open something. And I’ve been on HMS Belfast, as a teenager, and the Churchill War Rooms in 2012 (which I apparently didn’t blog about).

Anyway, this was my first visit to the Imperial War Museum North. Which, considering it’ll be celebrating its 25th anniversary next year, is perhaps odd. There are very few free museums in the north of England reachable by public transport that I haven’t been to yet.

Inside the museum

Our visit was just in the afternoon, and so we only had time to browse the main exhibition space. There’s a temporary exhibition upstairs on at present, called Outrageous Women: Marriage, Religion and Culture, but we ran out of time to see that.

The main space is one large, open space split off into five zones. Each zone represents a period of history:

  • The First World War
  • The Inter-war years
  • The Second World War
  • The Cold War
  • Into a new century (1990 to now)

You can follow them chronologically – this is what we did – but you don’t have to.

Whilst you will see tanks, planes and artillery in the museum, this isn’t a military museum per se. It’s more about the history of war and conflict, primarily in the UK and Europe, and its impact on people. You therefore learn about the events that led up to wars breaking out, how people lived through them (both on the front lines and at home), and what happened when the fighting stopped.

The Big Picture

On the hour, the lights in the main exhibition space dim, and a short 5-10 minute show is projected onto the walls. The shows vary depending on the time; there are six currently in rotation, and we got to see two of them:

  • Ukraine: Our Ordinary Lives. This follows several young Ukrainians who have remained in their country since the war with Russia broke out in 2022. It shows them trying to live as normal life as possible – attending school, celebrating birthdays, graduating from university – whilst bombings take place around them, friends and family are killed and there are regular interruptions to water and electricity supplies. It’s a reminder of the reality of living in a war zone in the 21st Century, and the bravery and stoicism of young people facing a horrendous situation.
  • The Roads We Walked. This video marks the 80th anniversary of the Fifth Pan-African Congress, which took place at Chorlton-on-Medlock Town Hall, Manchester, in October 1945. It’s delivered as a series of poems, but highlights the role that Manchester had in a number of African nations eventually achieving independence from the British Empire. I recognised some of the names mentioned: Kwame Nkrumah and Jomo Kenyatta, who both have universities named after them in their now-independent home countries.
A mangled and rusty window frame from the ruins of the World Trade Centre in New York, on display at the Imperial War Museum North

September 11th

The final zone, which focusses on the present day, includes some exhibits from the September 11th 2001 terrorist attacks in the USA, included the mangled and rusty remains of a window pane from the World Trade Centre in New York. Today is 25 years since those attacks took place, and there is a focus on the resultant wars in Afghanistan and Iraq that followed.

Also in this section is a huge doorway made up of hundreds of suitcases, representing those who have become refugees fleeing war. It’s a common theme throughout the museum, from the Kindertransport in 1938 and evacuations to the countryside in 1939, to the Homes for Ukraine Scheme in this decade.

It’s a good museum, and one that I’m sure we’ll re-visit. Whilst our ten-year-old is mature enough to handle the more difficult themes (and liked seeing the old children’s toys on display), they haven’t quite covered enough history at school to be able to appreciate everything just yet.

Accessibility

Being a new museum, accessibility is good – there are lifts and step-free access everywhere. There are disabled toilets with both left and right hand transfer; whilst there isn’t a Changing Places toilet, there are two within easy walking (or wheeling) distance at the Lowry Arts Centre and at MediaCity:UK. Wheelchairs are also available to borrow whilst visiting, and you can also borrow sensory backpacks. If you have sensory issues, particularly regarding bright or dim lights and loud noises, then you may wish to read their accessibility guide before going.

Entry to the museum is free, although you’re welcome to donate or buy a detailed guidebook. There is a café, but we didn’t eat there on this occasion. Free Wi-Fi is available, including on Eduroam.

Parking is available on site, but has to be paid for. I saw what looked like electric car chargers in the car park, but they’re not listed on any apps and so may not be available for the public to use. Instead, there’s parking at the nearby Quayside shopping centre which includes six Standard-Plus AC chargers on the Evyve network.

There are good public transport options – this, and it being free entry, were key reasons why we went. There is a Metrolink tram stop right outside, conveniently called Imperial War Museum, and this is on the Trafford Park line with trams from Manchester city centre and the Trafford Centre. Trams are typically every 12 minutes. It’s also only a short walk to the MediaCity:UK tram stop. The number 30 bus also stops right outside – this runs from Piccadilly Gardens to the Trafford Centre and seems quite frequent, even on Sundays.

A return visit to the People’s History Museum

A banner stating 'Murdoch is Bad News' encouraging people to boycott The Sun and The Times, at the People's History Museum in Manchester

Between returning from Wales, and our ten-year-old starting four weeks at summer holiday club, we had a fallow week where Christine and I took turns to look after them during the daytime. So, I took them for their first visit to the People’s History Museum in Manchester.

Christine and I have been before, back in 2013 before we got married, but neither of us have been since. The People’s History Museum was also in the news in June, as Andy Burnham, then newly-elected as the MP for Makerfield, essentially set out his vision for becoming Prime Minister. By the time we visited, he had indeed become Prime Minister.

Compared to 2013, the two main galleries remain similar. What has changed is the addition of some overlays, which give the experiences of recent migrants to the UK in relevant places. As part of my work in higher education, I found the section about migrants trying to get their professional qualifications recognised particularly interesting. Overall, the museum remains a very left-wing view of British history, with particular focus on the Labour Party, trade unions and the changing legislation to give different groups of people the vote. It’s a reminder of how far we have progressed over the years.

100 Years of Strikes and Solidarity

The current exhibition at the People’s History Museum is 100 Years of Strikes and Solidarity, which marks the 100th anniversary of the 1926 General Strike. As you would expect, the Miner’s Strike is a major focus but it includes more recent industrial action such as the Resident Doctors’ strikes and walkouts by Amazon workers. Indeed, until the end of this month, there’s a build-a-bot activity for kids where they can make their own paper model of a robot costume used by Amazon strikers that is on display in the exhibition.

Accessibility

The People’s History Museum is a model of good practice when it comes to accessibility, with lift access to all floors, more than one disabled toilet (offering a choice of left- or right-side transfer) and a Changing Places toilet. There are also Braille and large print guides to borrow and sensory packs.

It’s in Manchester city centre; we arrived by train and it was simply a case of walking out the main entrance to Manchester Victoria station and then following the River Irwell until we reached the museum, which took 15-20 minutes. It’s also not far from Manchester Piccadilly station either. I personally wouldn’t park in Manchester city centre and would instead recommend Park and Ride.

Entry to the museum is free, but a £10 donation is encouraged. There is free Wi-Fi if you ask for the password at reception, and there’s a café and gift shop.

Our 2026 holiday: Castell Caernarfon

A photo looking into Caernarfon Castle from one of the tallest towers

Following our visit to Penrhyn Castle, which looks like a fortified castle but isn’t, the next day we went to Castell Caernarfon (Caernarfon Castle), which is a fortified castle. It’s one of the four that make up the UNESCO World Heritage Site; we visited Conwy and Beaumaris last year, leaving Harlech for a future visit.

The castle sits on the edge of the Menai Strait (Caernarfon pretty much translates as ‘castle overlooking Anglesey), and, like Conwy, the town of Caernarfon has walls around it which adjoin the castle.

History of Caernarfon Castle

As per the other three castles that make up the UNESCO World Heritage Site, the current castle at Caernarfon was commissioned by Edward I of England in the 13th Century. However, it was built on the site of an older, 11th Century motte and bailey castle. As Caernarfon was to be Edward’s administrative centre of North Wales, it was built on a much grander scale that the other castles and so is significantly bigger.

However, like Beaumaris, the money ran out before it was completely finished, with work ending in 1330, almost fifty years after it was commissioned. So, parts of Caernarfon castle were never fully completed, such as the King’s Gate which forms the modern day entrance to the castle. Apart from a brief period during the 1294 Welsh rebellion, Caernarfon remained in English hands, including during the Glyndŵr rising in the 15th Century. It played a role in the English Civil War in the 17th Century, but was then abandoned until the 19th Century when repairs began to be undertaken. These repairs were more extensive than to other castles such as Beaumaris, and saw parts of the castle reinstated rather than preserved as ruins.

In the 20th Century, the investiture of the Prince of Wales was conducted twice at Caernarfon. This ceremony was promoted by the local MP David Lloyd George, who later became Prime Minister. The first investiture was of Prince Edward in 1911, who later became King Edward III, and the second was in 1959 which saw Prince Charles (now current King Charles III) be invested by Queen Elizabeth II. This was broadcast on TV and recordings are available to view at the castle, as well as the throne used by Queen. Following Charles’ ascent to King in 2022, Prince William has become Prince of Wales, but I gather neither Charles, William or the Welsh Government have much desire to hold another ceremony.

Visiting Caernarfon Castle

We spent 3-4 hours at the castle, and managed to see most of it. You can walk along the outer walls, and go into most of the towers. Some of the towers have attractions inside them:

  • There’s a museum for the Royal Welch Fusiliers, who are best known for having a goat as their mascot – entry is included as part of your ticket for the whole castle and they have their own gift shop.
  • The North East Tower has a ‘800 years of history in 8 minutes’ looping video.
  • There are also exhibitions about Edward I’s wife, Eleanor of Castille, and a chess board showing the roles of various Welsh princes and how they unsuccessfully challenged Edward I.

When we visited, there were also wooden cannons that you could use to fire ping-pong balls, courtesy of Dan’s Cannons. Our ten-year-old loved these. The courtyard inside the castle is quite large and so events take place there from time to time.

Compared to Beaumaris and Conwy, there is a lot more to see at Caernarfon Castle and you can probably stretch it out to almost a full day.

Accessibility

Caernarfon Castle has undergone a relatively recent accessibility upgrade, and so there is now a lift in the King’s Gate to the battements. This offers step-free access to the top of the King’s Gate and some of the castle walls for the first time. However, much of the rest of the castle is only accessible by stairs, and in some cases, quite narrow spiral staircases. Indeed, the courtyard isn’t all flat and so the video room in the North East Tower is only reachable by steps, even though ramps could probably be installed.

There are disabled toilets on site, and whilst there isn’t a Changing Places toilet in the castle, the nearest one is only a short distance away at the station for the Welsh Highland Railway.

The castle is in the care of Cadw, so Cadw and English Heritage members get in free. I was also able to get free entry with my CSSC membership and some photo ID.

We parked at a long-stay pay-and-display car park next to the castle. This doesn’t offer any electric car charging facilities; the nearest car park with chargers is the Shell Car Park, to the north of the town near Morrisons (which also has two rapid chargers but time limited parking).

British Rail closed the railway line through Caernarfon in 1970 as one of the final Beeching closures. The Welsh Highland Railway runs narrow-gauge tourist trains from Porthmadog, but there are usually only a couple of trains each day. There are regular bus services to the town from Bangor which is the nearest surviving National Rail station.

Free Wi-Fi is available across the site. The café in the King’s Gate is currently closed, but there is another café in the courtyard with outdoor bench seating, selling sandwiches and cakes.

Other things to see in Caernarfon

Whilst me, our ten-year-old and my parents were happy to explore the castle, Christine wasn’t so keen and explored the town instead. By the castle is Cei Llechli, which is home to a number of shops and artist studios. There are, of course, the walls around the town, but you can only walk along short sections.

Queer Britain, the national LGBTQ+ museum

A photo inside the galleries at Queer Britain.

This is the sixth and final of my blog posts about last month’s trip to London. Following our trip to the Vagina Museum in the morning, we decided to continue the theme of ‘woke museums’ and visit Queer Britain, the national LGBTQ+ Museum.

I’ll be honest, our main reason for visiting was that it’s in King’s Cross, and was therefore close to where we needed to be for our train home that afternoon. But as someone who identifies as a member of the LGBTQ+ community, I decided it would be good to visit.

Queer Britain is a small museum – we were in and out within the hour – and despite having ‘national’ in its name, it’s very London-focussed. There’s not a lot about LGBTQ+ history in other parts of the UK; there was a bit about Justin Fashanu, a footballer who played for Norwich City and was Britain’s first openly gay professional player. But there was nothing about Manchester’s Gay Village, for example. Perhaps if the museum is able to expand in future, it will have more things to show that are from outside the capital.

There is also an events space, and if we hadn’t needed to catch a train, we would have stuck around for a panel discussion platforming LGBTQ+ migrants. We did, however, manage a quick selfie with the panel moderator, Tia Kofi, who you may know from Season 2 of RuPaul’s Drag Race UK. They’re very tall.

Accessibility

The museum is all on one floor, with a ramp to the main door; however, extra wide wheelchairs may present an issue. An accessible gender neutral toilet is available; Changing Places toilets are available a short walk away at Pancras Leisure and King’s Cross station.

Entry is a recommended fee of £10, or pay what you feel. As it stands, I broadly agree with Ian that £10 is a big ask for a relatively small museum. The gift shop is good though.

Queer Britain is in Granary Square, on the other side of the Regents Canal from King’s Cross and St Pancras stations (which are all step-free). If it still existed, York Road tube station on the Piccadilly Line would be closest, but it closed 94 years ago.

The Vagina Museum

A photo of the outside of the Vagina Museum in Bethnal Green.

This is one of those blog posts where I’m glad I don’t take advertising on this blog anymore, as I imagine this post would get demonetised. This is the fifth of my blog posts about last month’s trip to London; I’m aware that we’ve been back for a month now, and there’s still a sixth and final post to go live this week. Today’s post is all about The Vagina Museum.

A Vagina Museum‽

Yes, a museum all about vaginas. Well, and the wider reproductive organs of women and others with vaginas – the museum tries very hard to be inclusive of trans and non-binary people as well.

It’s not a very big museum, and occupies two railway arches under the Weaver Line of the London Overground. It’s made up of three small named exhibitions spaces, called Betsey, Lucy and Anarcha, named after three enslaved Black American women who were all experimented on, and from whom our modern understanding of gynaecology is derived. Betsey’s gallery, upstairs, is home to the permanent exhibition, where you can see a complete preserved uterus (Christine commented that it was smaller than expected, considering how much it hurts when she’s on her period) and many photos of different types of vulvas.

Also upstairs is Anarcha’s gallery, which has written pieces from migrant women about their first period, and the challenges that their status as refugees has caused.

Downstairs, as well as the excellent gift shop, is Lucy’s gallery, and the current temporary exhibition about menopause, including its history and how our understanding of it has changed over time.

In all, we spent about an hour in the museum. It’s quite text heavy, and I don’t think our ten-year-old would have got much out of it, but we both found it enlightening. I’d definitely recommend visiting if you have a vagina, or live with someone who does.

Accessibility

Accessibility is good – there is a lift to the upstairs galleries, and no steps. There’s a single, gender-neutral, accessible toilet available. If you need a Changing Places toilet, then there is one nearby at the Young V&A (which we visited in 2024).

Entry to the museum is free, but a £5 donation is strongly encouraged. And did I mention that the gift shop is excellent? Note that museum is closed on Mondays and Tuesdays.

The museum is very close to Cambridge Heath station on the London Overground, and a little further from Bethnal Green tube station on the Central Line. We got there on the 254 bus from outside Aldgate tube station, which is probably your best option for step-free transport; the nearest step-free station is Hoxton on the Windrush Line, which is a 20-25 minute walk.

I haven’t been noting about car parking or electric car charging in these London reviews, as we didn’t drive and I think you would be mad to drive in London, but there is a rapid Shell Recharge station around the corner.

V&A Cast Courts and Design Gallery

A photo of the Cast Court at the V&A

This is the fourth of my blog posts about last month’s trip to London. After visiting the Natural History Museum, we walked across the road to the V&A, where we visited the Cast Courts and the Design 1900-Now Gallery.

As I mentioned in my write-up of Banksy: Limitless, I’m not massively in to art, and so most of what the V&A offers isn’t of interest to me. Christine likes it though, and she has visited the V&A more often than I have. This time, she insisted on taking me to the Cast Courts on the ground floor.

Cast Courts

These three rooms are huge, extending to the full 25 metre height of the building. Their size is by necessity, as they contain some of the largest objects in the V&A’s collection.

As the name ‘cast’ suggests, these are plaster casts of various famous artefacts that exist elsewhere. There’s a cast of Michaelangelo’s David, for example, complete with a plaster fig leaf that was put over his manly bits when Queen Victoria visited. By far the biggest is a cast of Trajan’s Column, which is so big that it appears in two pieces. The cast courts were built as part of the original museum in the 1870s, and are now rather tightly packed with various pieces.

They’re impressive spaces, and it would be hard not to be wowed when walking in to them for the first time.

A photo of an Apple II computer and disk drive on display at the V&A

Design 1900-now

Whilst art may not be my thing, design and architecture are. So we went upstairs to the Design 1900-now gallery, which features 250 objects that show how design has changed over the past 126 years.

As well as furniture (including a standing lamp designed by Salvador Dali), there’s also technology here. There were two Apple computers on show; an Apple II, and a much newer MacBook that had been deliberately disassembled as it contained documents from Edward Snowden. There are also examples of objects that have been recently acquired, such as a Lababu.

The information included with each object is concise but thorough, but by virtue of being in central London, the limited space means that many objects are not on show here. Indeed, V&A has over a million objects in its collection, and has recently opened the V&A East Storehouse in Hackney Wick to allow visitors access to more of its objects. There’s also the Young V&A in Bethnal Green, which we visited in 2024.

Accessibility

Entry to the museum is free, but like most free museums, some special exhibitions require paid-for tickets. The main entrances are step-free, but not the entrance from the Museum tunnel that links to South Kensington tube station which is the nearest. Knightsbridge is the nearest step free tube station.

There is step-free access to all parts of the museum, but as it’s an old building that has been added to over time, step-free routes may take longer than some more direct ones. Disabled toilets are available, but for a Changing Places toilet, you’ll need to go across the road to the Science Museum.

Wildlife Photographer of the Year 2025

Outside the Natural History Museum which hosts the Wildlife Photographer of the Year award.

This is the third of my blog posts about last month’s trip to London. Following our visit to Banksy: Limitless in the morning, and a bit of lunch, we strolled around to the Natural History Museum for their Wildlife Photographer of the Year exhibition.

The exhibition displays the top 100 entries for the competition. The gallery is dimly lit, with all of the photographs displayed in lightboxes to make them really stand out. They’re split by category, and show the winning entry in each category alongside those highly commended by the judges. Each photograph also has a bit of blurb about where it was taken, and the lengths that the photographer took to get the shot. In some cases, these photographs took weeks or even months of planning. You also get to see which model of camera was used, the lenses and camera settings used to take the photograph.

The two winners of Wildlife Photographer of the Year 2025 were announced in October, a couple of days before the exhibition opened. There’s an overall winner, and a separate winner for under-18s. Both winning photographs are then displayed on bigger lightboxes at the end, and there are video interviews with the winners and the judging panel.

Whilst the Natural History Museum offers free entry, this exhibition is a paid add-on. Tickets start at £15.50 each for adults at off-peak times – we went on a Friday so paid this lower rate. Full-price tickets are £18 for adults, payable at weekends and weekdays during school holidays. You have until mid-July to see this year’s photos.

The Evolution Garden at the Natural History Museum

Evolution Garden

This was the first time we’d been to the Natural History Museum since 2022, and so it was the first time we’ve seen the new Evolution Garden. The museum used to be surrounded by grass lawns at the front, but one of these has been replaced with something rather more biodiverse. As you walk through the garden, you can see various fossils, showing (briefly) how life evolved over millions of years. The planting fits the theme, with ferns playing the role of ancient plants that would have been common the time of the dinosaurs.

It’s a good improvement to an under-utilised area. As well as being better for biodiversity, it supports the museum’s role in education, and is easily accessible even if you don’t want to go into the museum itself.

Pokemon Pop-up Shop

If you can make it to the museum before the 19th April, there’s a Pokemon Pop-up Shop. You need to book a timed ticket to go in, and these aren’t normally available to book online. We didn’t manage to get a ticket when we went, unfortunately.

Accessibility

All of the museum’s entrances are accessible, and wheelchair access to all parts of the museum should be achievable. Disabled toilets are available, but you’ll need to go next door to the Science Museum for a Changing Places toilet.

South Kensington is the nearest tube station, and there’s a tunnel link to the Evolution Garden from the ticket hall. Knightsbridge, on the Piccadilly Line, is the nearest step-free tube station.

Unblogged January

A photo of January's 'Wolf Moon', taken by me in Derbyshire

I didn’t do one of these in December, although I think anything that I would have written about went into the 2025 review. Instead, here’s what I got up to in January that didn’t merit a full blog post.

The Wolf Moon

That photo of the moon at the top isn’t a stock photo – I took it myself! A full moon in January is known as a ‘wolf moon‘, and the moon happened to be closer to the earth than average so it appeared much larger in the sky.

The photo was taken on my Canon EOS 90D DSLR camera, but I admit there was some luck involved. I used the pop-out screen to set the correct exposure automatically, rather than experiment with various settings. I didn’t even need to use a tripod, and that photo was the first and only one I took. It’s been minimally cropped and edited.

As for where I took the photo? Well, after visiting Hardwick Hall, we took a detour and went to the Chatsworth Farm Shop. That photo was taken in the car park – being out in the countryside meant there was less light pollution. It also meant that, as well as getting a fabulous moon photo, we also picked up some of Chatsworth’s excellent maple-cured bacon. Seriously, it is probably the best bacon we’ve ever tasted.

A return visit to NESM

Last April, we went to the National Emergency Services Museum in Sheffield. As the tickets automatically become an annual pass, earlier this month I went back there with our ten-year-old. On our previous visit, there had been a Steampunk event on (it looks like it’s returning this April) and so we never got to visit the top floor, or the police cells.

This visit was an opportunity to rectify that, and so we got to learn about HM Coastguard, the Royal National Lifeboat Institution (RNLI) and the Yorkshire Air Ambulance. There’s also a recreation of a multi-agency response, where different emergency services have to work together – in this instance, a car crash which requires the police, ambulance and fire & rescue services. The museum is fundraising for a much-needed extension and I hope it’s successful – it’s a fantastic little museum and clearly needs more space.

Also, we bought a Plague Ducktor in the gift shop.

A screenshot of our results from the RSPB Big Garden Birdwatch

Garden Birdwatch results

We took part in the RSPB Big Garden Birdwatch on Sunday morning, which happened to be really wet and dreary. Despite this, we managed to see around 14 birds – mostly sparrows, but also a couple of blackbirds and bluetits. We fleetingly saw a wagtail too, which wasn’t on the core list.

(not) Changing Mobile Network

My mobile phone contract came to an end this month, and so I used a Martin Lewis trick to request a Port Authority Code (PAC) to port my number to another provider. This resulted in my current provider giving me a better offer than their standard upgrade deals, so now I have almost three times more data each month for less money than I was paying before. And, I don’t have to switch to a different network. All the haggling was done via Live Chat too, so I didn’t even need to call someone.

A photo of a Star Wars themed Lego set at the Calder Valley Brick Show

The Calder Valley Brick Show

We popped into this year’s Calder Valley Brick Show in Mytholmroyd last weekend. It’s an annual show for amateur Lego builders to show off their creations. Some are based on standard sets – often the older sets from the 1980s and 1990s – whereas others are custom builds. There were quite a few Star Wars dioramas there, but there was a good mix. Next month, there’s Bricktastic at Manchester Central (what used to be G-Mex) which is a much bigger event, although it looks like a number of the sets we saw will be there too.

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