music

2023, quantified

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An AI generated image of a business woman standing in front of a series of charts with '2023' at the top

Okay, so we’re in 2024 now, but I’m taking inspiration from Diamond Geezer‘s Summing Up 2023 blog post to post some statistics on things that I’ve done during 2023.

Countries and counties visited

In 2023, I’ve visited two countries: England, obviously, and France.

Over the course of the year, I have spent at least some time in the following English counties:

  • West Yorkshire
  • North Yorkshire
  • South Yorkshire
  • Lincolnshire
  • Greater Manchester
  • Lancashire
  • Cheshire
  • Leicestershire
  • Northamptonshire
  • Norfolk
  • Hertfordshire
  • Surrey
  • Hampshire

This doesn’t include any counties that I have passed through without stopping.

Most distant points

The furthest compass points I have been to are:

  • Furthest North: RHS Harlow Carr, near Harrogate, North Yorkshire
  • Furthest South: Futuroscope, near Poitiers, France
  • Furthest East: Great Yarmouth, Norfolk
  • Furthest West: Chester Zoo, Cheshire

I think it’s fair to say that I didn’t go very far north in 2023. We will be going further north this year, but are unlikely to go as far south as we don’t have an international holiday planned.

Methods of transport used

I have driven quite a bit this year. As my car’s MOT is due each autumn, I can only estimate the mileage, but I reckon it’s around 10,000 miles over the course of the year. Quite a bit of that was in France.

Train travel has been almost exclusively to and from work – indeed, I’ve only visited four railway stations this year, and every train has been a diesel-powered train. This includes the one heritage railway that I’ve been on, which was the short remaining section of the Derwent Valley Light Railway at Murton Park, near York.

I’ve been on two trams in Manchester, and a few buses, both locally and in Leeds and York. Plus, ferries for getting to and from France. I have not been on an aeroplane since 2015.

Music listened to

My full 2023 last.fm stats are not yet available, but over the year I have scrobbled 13,194 tracks – just 254 less than in 2022. That’s an average of 36 songs per day. Assuming each song is an average of 3 minutes, that’s 39,582 minutes over the year, or 659.7 hours or around 27.5 days. In other words, I spent almost a month listening to music last year.

Whilst I don’t exclusively listen to music on Spotify, on there, pop was my top genre, following by trance, rock, pop dance and Europop this year, according to my Spotify Wrapped. My most-listened to song was ‘Shut Up and Dance’ by Walk The Moon, which I listened to 12 times. To be fair, it is a good song.

Unsurprisingly, Within Temptation was my top artist – I own six of their albums and I’ve seen them live twice.

Books read and listened to

As mentioned in my favourite things of 2023, I read 93 books this year, which adds up to over 20,000 pages according to My Goodreads Year In Books. The shortest book I read was ‘How I Proposed to my Wife: An Alien Sex Story’ by John Scalzi (sponsored link), which was 26 pages long, and the longest was ‘What Just Happened?!’ by Marina Hyde (sponsored link). The printed edition is 472 pages, although I listened to the audiobook instead which is 17 hours long. Not the longest audiobook I’ve ever listened to (that was ‘American Gods’ by Neil Gaiman – sponsored link), but certainly one of the longer ones. Overall, the average length of the books I read was 220 pages.

Beers and ciders consumed

I log the beers and ciders that I drink using Untappd, and this year I consumed 35 such drinks (a decrease from 58 in 2022). Of those, 13 were from Brewdog, which may have something to do with what I got for Christmas in 2021. Several of these were non-alcoholic beers and ciders.

Steps taken

I’ve had my Fitbit Versa 3 on my wrist almost all of the time this year, and have taken a total of 3,695,427 steps – an average of just over 10,000 per day. It also estimates that I have climbed 11347 floors, walked 2,717.1 km and burned 1,079,223 calories through exercise.

Time spent learning French

I started Duolingo’s French course on the 1st January 2022 (so I have a two year streak now), and in 2023, I spent 4,947 minutes learning – that’s 82 hours or an average of 13.5 minutes per day. I also learned 4657 new words in French last year. I’m aiming to complete the French course, which will probably see me well into 2025.

So that’s 2023 quantified. I’m sure I could offer more stats, like photos taken, podcasts listened to etc. if I tracked these throughout the year. As it is, I’m relying on various web services that track data for me that I can refer back to. I wonder how 2024 will compare?

Playlist of the month: my favourite Christmas songs

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Screenshot of the cover of my favourite Christmas songs playlist on Spotify

Now that I’m blogging regularly again, I’ve decided to start a new monthly feature where I post a playlist of 10 songs, all around a theme. Last month was guitar heavy indie rock, and this month, because it’s December, I’ve chosen Christmas music.

If you want to listen along, here’s the Spotify playlist.

  • ‘Underneath the Tree’ by Kelly Clarkson. Probably the best new-ish Christmas pop song that I’ve heard of late, although it’s still a decade old.
  • ‘Fairytale of New York’ by The Pogues and Kirsty MacColl. We’ll disregard the gay slur in the lyrics, but it’s a good song with humour. If you prefer, this cover by Grace Petrie is good too. Sadly we lost The Pogues frontman Shane MacGowan last month.
  • ‘I Wish It Could Be Christmas Every Day’ by Wizzard. Probably my favourite classic Christmas pop song, although Wizzard’s lead singer Roy Wood is a bit racist nowadays.
  • ‘Stay Another Day’ by East 17. Is this a Christmas song? The lyrics are not explicitly about Christmas, but it was a Christmas number one in 1994 in the UK and the addition of bells make it sufficiently Christmassy for me.
  • ‘Christmas Time (Don’t Let The Bells End)’ by The Darkness. There’s room for more than one glam rock band to have a Christmas song, and this mid-2000s song by The Darkness is a better ‘new’ song.
  • ‘Christmas Truce’ by Sabaton. Sabaton are a Scandinavian metal band who sing historically accurate songs about war. This one is about the Christmas Truce from the First World War.
  • ‘Last Christmas’ by Carly Rae Jepson. Whamhalla is over for 2023 – I got out after just 36 hours this year. But if you were playing, then covers didn’t count, and this is my favourite cover version.
  • ‘Jingle Bell Rock’ by Our Last Night. This metal cover band pops up regularly in my Release Radar playlist on Spotify, as they release new songs regularly. This is their interpretation of this Christmas classic.
  • ‘Merry Axe-Mas’ by Nine Inch Nails. More metal, but not a cover this time.
  • ‘Wonderful Christmastime’ by Pentatonix. Paul McCartney’s original has always been just a bit too eighties for me. I prefer this a cappella version.

I’ll be back with another playlist sometime in January.

Playlist of the month: guitar-heavy indie rock

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Screenshot of the guitar heavy indie rock playlist on Spotify

Now that I’m blogging regularly again, I’ve decided to start a new monthly feature where I post a playlist of 10 songs, all around a theme. With a few hours to go until the end of the month, here’s this month’s playlist.

These songs are all indie rock songs with a big guitar riffs, and are some of my favourite songs. If you want to listen along, here’s the Spotify playlist.

  • ‘Steve McQueen’ by The Automatic. This was the first single from this band’s second album, ‘This Is A Fix’. It starts with thumping guitars, and never lets up. Whilst The Automatic are best known for their debut single, ‘Monster’, this is my favourite.
  • ‘When We Wake Up’ by Asylums. I can’t quite remember how I came across this song but it’s great, and only has around 60,000 streams on Spotify so far. There’s a catchy chorus and powerful guitar riffs all of the way through.
  • ‘Praise Be’ by The Plea. Another less well-known band who I found out about because they supported Ash on tour. I really like this song and it’s surprising that it’s not more well known.
  • ‘Boulevard of Broken Dreams’ by Green Day. I’m sure people will argue whether this fits the theme, but I would argue that it’s one of their best songs from their best album.
  • ‘Ruby’ by Kaiser Chiefs. The first single from their second album, with strong guitars from the start and a catchy chorus.
  • ‘Nothing’ by A. Calling your band ‘A’ probably made sense in the days when people bought singles from high street record stores, but the move to digital platforms makes this song a little harder to find.
  • ‘Dirty Little Secret’ by The All-American Rejects. Another first single from a second album; whilst it’s not my favourite song by this band, it fits the theme.
  • ‘I Bet You Look Good On The Dancefloor’ by Arctic Monkeys. Their debut single, and their best, in my view. I know it’s a controversial opinion but none of their subsequent singles have been as good as this.
  • ‘Orpheus’ by Ash. I mentioned Ash earlier, and as they’re the band I’ve seen the most (three times) I should include one of theirs.
  • ‘Just A Day’ by Feeder. Originally a B-side to ‘Seven Days In The Sun’, this ended up being a single for a later Greatest Hits album, and is arguably among their best songs.

I’ll do another playlist of 10 songs next month. With it being December, no prizes for guessing the theme.

Professor Elemental

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Professor Elemental

Sunday’s visit to Thought Bubble wasn’t our only Steampunk-related outing last week. On Thursday, we went to see Professor Elemental, again in Leeds at The New Roscoe.

Christine and I have been fans for a while, but this was our first opportunity to see him perform live. His music is in a rather niche sub-genre called ‘chap hop‘ – imagine hip-hop, but with moustachioed English gentlemen rapping about tea and splendid trips to the seaside. Consequently, Professor Elemental has a major following in the steampunk community.

Biscuithead and the Biscuit Badgers

Local band Biscuithead and the Biscuit Badgers were the support act, in somewhat reduced circumstances as their drummer had a family medical emergency. Their music is wonderfully whimsical, with songs about David Attenborough, model railways, tweed jackets, and the folk who live on their local street. Whilst a rather different style of music to the main act, it fitted the offbeat nature of the gig.

Professor Elemental came on later, having sat in the audience for the support act; this was a small venue and there were only around 50-60 attendees. After powering through a medley of songs, he improvised a rap based on word suggestions from the audience, which included ‘antiquity’, ‘flange’, ‘antidisestablishmentarianism‘ and ‘nipple’. It was an impressive feat. Audience participation was also requested for his newer song Don’t Feed The Trolls.

Christine and I had come straight from work, and the weather was inclement to say the least, so we had left our steampunk outfits at home to save them for Thought Bubble, but many others were dressed up in appropriate attire. At one point, someone dressed as a giraffe crawled across the stage, and that probably wasn’t the strangest thing that happened.

Whilst it helped that many of the audience were genuine fans, it was a great, intimate gig – equal parts enjoyable and amusing. Professor Elemental isn’t on tour, per se, but he has a few more live gigs coming up around the country in the run up to Christmas – I’d definitely recommend going to see him.

Our House – The Madness Musical

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The logo for Our House - The Madness Musical

Tonight is the opening night of Our House at the Bradford Playhouse – and I’ll be backstage helping out.

It’s a musical show based around the music of Madness, and follows the story of Joe Casey, a 16 year old who lives on Casey Street in Camden. He’s faced with a choice that will change his life – and the musical follows ‘Good Joe’ and ‘Bad Joe’ as it explores each implication of his decision.

Whilst Madness isn’t one of my favourite bands, like most people I know many of their songs and they fit well with the script. Even though this is not a professional production, I enjoyed it more than We Will Rock You.

I got called in to help at the last minute on Monday, just in time for the technical rehearsal, which was rather rough and ready. But last night’s dress rehearsal went really well, and the show looks fantastic. The cast are excellent and it promises to be a really great show.

Tickets are still available – I’d thoroughly recommend it, even if I wasn’t taking part. Performances are tonight, Thursday, Friday and Saturday nights, and a Saturday matinée.

Hear Me Sing!

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The poster for the show 'Never work with children or animals'.

A rare opportunity to hear me sing has arisen! I’ll be joining the chorus of BUSOM in their summer concert entitled ‘Never Work with Children or Animals’, featuring songs from popular musicals on the theme of childhood and animal magic.

I’ve helped with BUSOM behind the scenes for some of their main shows like Moby Dick! The Musical and Little Shop of Horrors, but this will be the first time I’ve sung in front of an audience since secondary school – karaoke excepted. I wouldn’t say I’m a great singer (and have some issues with timing that need sorting out pronto) but apparently I can hold some semblance of a tune. At least, enough to be part of the chorus.

The concert is this Thursday, in the Escape Bar, Student Central at the University of Bradford. It starts at 7:30pm and tickets will be available on the door.

Frisky & Mannish

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A photo of Neil and Christine posing with Frisky & Mannish

On Friday Christine and I went to The Wardrobe in Leeds to see Frisky & Mannish – a cabaret act who parody popular music. We’ve seen them before in September 2012 when they came to Bradford – we stopped back after the gig for the above photo. Which, incidentally, was one of the last photos taken on my iPhone 4 before I replaced it with my current phone.

Anyhow, as we enjoyed ourselves so much last time, we made a point of booking tickets for their gig in Leeds. This was for their new show, ‘#justtoomuch’, which was a departure from their previous shows. Whereas in the past they have focussed on ‘educating’ people about pop music, this show was about celebrity excess and the inevitable fall into depression and drug abuse – see Amy Winehouse, Miley Cirus et al.

Which sounds depressing but it’s put together in a great way. 2/3rds of the show was made up of new material, including some topical jibes at Bob Geldof, ballet dancing and made-up letters from Sinead O’Connor.

The rest was set aside for their greatest hits – nursery rhymes set to the tune of ‘Sound of the Underground’ by Girls Aloud (“The wheels on the bus go round/The wheels on the bus go round and round…”), ‘Beep’ by the Pussycat Dolls in the style of a Blackpool end of the peer variety act, and various love songs with creepy undertones sung in a psychotic way.

Frisky & Mannish have a very loyal fan base – Frisky asked the crowd who had been to one of their gigs before and more than half had – but it’s easy to see why people keep on coming back. F&M’s current tour has a few more nights to go, so if they’re in your area I’d thoroughly recommend taking the time to see them. If you remain unconvinced, their previous three shows are free to watch on YouTube, thanks to a successful Kickstarter campaign.

Alestorm’s new album

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Over the years I’ve occasionally mentioned the music of the band Alestorm, a Scottish pirate metal band. Imagine heavy metal sea shanties, covering such subjects as piracy, drinking, and the acquisition of wenches. The above music video is a prime example, containing all of the aforementioned things, and it just happens to have come from their latest album. Other songs include ‘Surf Squid Warfare‘ about going into the future to defeat undead squid from space with beer. Yes.

I first came across Alestorm in 2009, when a friend recommended that I check them out on Spotify. I’ve since bought three of their four albums, went to see them play live in Leeds in 2012, and right now they’re the third highest-ranked band in my last.fm library. Their fourth album, Sunset on the Golden Age, was released recently and I got halfway through listening to it on Spotify before buying it. It’s one of their best.

Their first album, Captain Morgan’s Revenge, was okay, but I much preferred their second album Black Sails at Midnight – which I listed as my second-favourite album back in 2011 (it’s probably my third or fourth nowadays). Back Through Time, their third album, was okay – some good songs let down by rough and (in my view) poorer production quality. Sunset on the Golden Age, by contrast, has the production values of their second album and sounds much better for it. I also note that Alestorm’s lead singer Christopher Bowes has consigned his keytar to Davey Jones’ Locker – they’re actually playing real instruments instead of synthesising their sounds.

Though not very politically correct, Alestorm’s music has surprising staying power, considering that they’re arguably a novelty act. But, a novelty act that has released four albums and been on several world tours is not to be sniffed at. So crack upon a bottle of rum, fire your cannons and grab yourself a copy of their latest album – it’s on Amazon or iTunes. And they’re touring the UK again in the autumn. Plus, if you like Alestorm, you may also like Christopher Bowes’ other band Gloryhammer, who songs include the wonderful Unicorn Invasion of Dundee amongst others.

Eurovision Eve

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Tomorrow night is the annual Eurovision Song Contest, a pan-European music competition where each of the nations of Europe can put forward a musician or band and hope to win the chance to host the following year’s contest. Last year’s winning act, Emmelie de Forest, was from Denmark, so this year’s competition will be broadcast from Copenhagen.

In Britain the main focus is always the ‘final’ on the Saturday night, but there have been two semi-finals this week. They’re broadcast here on under-threat TV channel BBC Three, and I bet a lot of Brits don’t even know about them. I think this because the semi-finals don’t matter to us Brits –  Britain is one of the largest contributors to the European Broadcast Union, the producers of Eurovision, and it means that British acts automatically qualify for the final. This is along with those acts from France, Germany, Italy and Spain. Consequently the semi-finals are not a big deal here, and are mostly watched by those more fanatical about Eurovision.

For most of the past few years, we’ve been to Eurovision parties, where we watch the final as a group, usually with ample amounts of alcohol. This started sometime around 2007, when one of our friends was an international student from Canada – we tried to convince her that Eurovision was a major cultural event. I think she believed us right up until the show started, when she realised it was just a massive camp-fest. Which it is, but that’s one reason why I like it so much. Another other big reason is getting to laugh at the various novelty acts that invariably make it through to the finals, and then get increasingly frustrated at the end when none of our European neighbours decide to vote for the UK entry. And there’s the commentary provided by Graham Norton throughout the night.

This year, we’re hosting a Eurovision party ourselves for the first time. Not a big one, and most of the people who are coming are the same ones that we watch Eurovision with every year. It’s probably the last chance we’ll have to host a Eurovision party in our current flat, as hopefully by this time next year we’ll have bought a new house.

The UK never does particularly well in Eurovision and we’ve not won since the 1990s, but we still enter every year. Despite putting up reasonably well-known acts, such as Blue, Engelbert Humperdinck and Bonnie Tyler, we haven’t placed inside the top 10 since 2009.

In the past there has been a public vote to choose the act that we sent to Eurovision – usually called A Song for Europe – but since 2011 the decision has been made by the BBC. This year’s act is ‘Molly’ with her song ‘Children of the Universe‘ – it’s not really my kind of song but hopefully it’ll do well. Molly, incidentally, is not using her full name of ‘Molly Smitten-Downes’ in the competition.

Political events often affect the results, and it will be interesting to see what effect the recent issues in the Crimea have on Ukraine and Russia’s rankings. It may also reflect Britain’s historically poor performance, as the rest of the Europe hates us apparently. The current rise of the UK Independence Party may indicate that the feeling is mutual. I wonder what UKIP’s policy is on Eurovision?

Kickstarted: Frisky & Mannish’s Pop Education Trilogy

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What was it?

The twelth project I backed on Kickstarter was Frisky & Mannish’s Pop Education Trilogy, which sought to edit and post their three tour shows online for everyone to watch.

How much did I pledge?

Just £1.

What did I get?

I didn’t select a reward so I didn’t get anything specific in return for backing the project, but the money raised meant that all three videos are available on YouTube for everyone to watch free of charge.

Christine and I went to see Frisky & Mannish when they came to play in Bradford in September 2012. I’ve been aware of them for a while, after a former housemate shows me some of their videos on YouTube. Essentially they are a cabaret duo who do musical parodies, such as Kate Bash – combining the works of Kate Bush and Kate Nash, and a ‘grime’ re-working of Top of the World by The Carpenters. Though these short videos are good, they are far better live as it’s the interactions between the songs that make them worth watching. So now that they have posted three of their full length shows for all to see, you can see what they’re really like.

At the moment, Frisky & Mannish are on a break, but they are doing a stint at the Edinburgh Fringe Festival this summer. Hopefully this will lead to another tour – either way, if you have the chance to see them, please do, as we had a really good time.