Eurovision Eve

Tomorrow night is the annual Eurovision Song Contest, a pan-European music competition where each of the nations of Europe can put forward a musician or band and hope to win the chance to host the following year’s contest. Last year’s winning act, Emmelie de Forest, was from Denmark, so this year’s competition will be broadcast from Copenhagen.

In Britain the main focus is always the ‘final’ on the Saturday night, but there have been two semi-finals this week. They’re broadcast here on under-threat TV channel BBC Three, and I bet a lot of Brits don’t even know about them. I think this because the semi-finals don’t matter to us Brits –  Britain is one of the largest contributors to the European Broadcast Union, the producers of Eurovision, and it means that British acts automatically qualify for the final. This is along with those acts from France, Germany, Italy and Spain. Consequently the semi-finals are not a big deal here, and are mostly watched by those more fanatical about Eurovision.

For most of the past few years, we’ve been to Eurovision parties, where we watch the final as a group, usually with ample amounts of alcohol. This started sometime around 2007, when one of our friends was an international student from Canada – we tried to convince her that Eurovision was a major cultural event. I think she believed us right up until the show started, when she realised it was just a massive camp-fest. Which it is, but that’s one reason why I like it so much. Another other big reason is getting to laugh at the various novelty acts that invariably make it through to the finals, and then get increasingly frustrated at the end when none of our European neighbours decide to vote for the UK entry. And there’s the commentary provided by Graham Norton throughout the night.

This year, we’re hosting a Eurovision party ourselves for the first time. Not a big one, and most of the people who are coming are the same ones that we watch Eurovision with every year. It’s probably the last chance we’ll have to host a Eurovision party in our current flat, as hopefully by this time next year we’ll have bought a new house.

The UK never does particularly well in Eurovision and we’ve not won since the 1990s, but we still enter every year. Despite putting up reasonably well-known acts, such as Blue, Engelbert Humperdinck and Bonnie Tyler, we haven’t placed inside the top 10 since 2009.

In the past there has been a public vote to choose the act that we sent to Eurovision – usually called A Song for Europe – but since 2011 the decision has been made by the BBC. This year’s act is ‘Molly’ with her song ‘Children of the Universe‘ – it’s not really my kind of song but hopefully it’ll do well. Molly, incidentally, is not using her full name of ‘Molly Smitten-Downes’ in the competition.

Political events often affect the results, and it will be interesting to see what effect the recent issues in the Crimea have on Ukraine and Russia’s rankings. It may also reflect Britain’s historically poor performance, as the rest of the Europe hates us apparently. The current rise of the UK Independence Party may indicate that the feeling is mutual. I wonder what UKIP’s policy is on Eurovision?

Kickstarted: Frisky & Mannish’s Pop Education Trilogy

What was it?

The twelth project I backed on Kickstarter was Frisky & Mannish’s Pop Education Trilogy, which sought to edit and post their three tour shows online for everyone to watch.

How much did I pledge?

Just £1.

What did I get?

I didn’t select a reward so I didn’t get anything specific in return for backing the project, but the money raised meant that all three videos are available on YouTube for everyone to watch free of charge.

Christine and I went to see Frisky & Mannish when they came to play in Bradford in September 2012. I’ve been aware of them for a while, after a former housemate shows me some of their videos on YouTube. Essentially they are a cabaret duo who do musical parodies, such as Kate Bash – combining the works of Kate Bush and Kate Nash, and a ‘grime’ re-working of Top of the World by The Carpenters. Though these short videos are good, they are far better live as it’s the interactions between the songs that make them worth watching. So now that they have posted three of their full length shows for all to see, you can see what they’re really like.

At the moment, Frisky & Mannish are on a break, but they are doing a stint at the Edinburgh Fringe Festival this summer. Hopefully this will lead to another tour – either way, if you have the chance to see them, please do, as we had a really good time.

Little Shop of Horrors

This coming Thursday, my wife Christine will be featuring in an amateur production of Little Shop of Horrors, along with other students from the University of Bradford where I work. It’s on at The New Bradford Playhouse and runs until Saturday.

As well as playing a character in the show, Christine has been helping out for a number of weeks now, and I also spent much of the weekend helping and/or hindering the technical team as they set up in the theatre. It promises to be a good show, and the puppets they’re using look really good.

So, if you’re available on Thursday, Friday or Saturday nights this week, we’d both very much appreciate it if you were able to come along. Tickets can be purchased online here.

HMV’s fall into administration

String Quintet

Last night, it was announced that HMV was to appoint administrators to run the business as it was no longer viable on its own, putting the jobs of over 4000 people who work there at risk. HMV is the last remaining music store in the UK, as over the years Tower Records, Track Records, MVC, Borders and, most recently, Zavvi and Woolworths (to name a few) have all met a similar fate.

Thinking back, the last time I went into HMV was over two years ago, ironically enough to buy some headphones for my iPod, so I could listen to all of the music that I’d bought online. Which is one of the major challenges that HMV faces – many people are now buying music downloads rather than physical CDs, and music downloads in the UK are dominated by Amazon and Apple’s iTunes.

Sure, HMV does sell music downloads and owns 50% of online retailer 7digital, although it’s not as popular as its rivals and tends to be more expensive. But then HMV actually does pay its fair share of taxes in the UK, unlike some other businesses, and its prices are probably higher as a result. Supermarket competition is also a big factor, as Tesco, Sainsbury’s, Morrisons and Asda all sell music and DVDs in their larger stores.

But people still buy CDs. It’s hard to give an MP3 to someone as a gift – especially at Christmas – and there will always be those who prefer to own physical objects. Downloads are great until you realise your in-car CD player doesn’t have an iPod adaptor, or your computer’s hard drive gets corrupted and you lose all of your music files.

How much of HMV will exist in future remains to be seen. It has around 35% of the UK’s CD market and quite a lot of its stores are profitable; hopefully once the failing stores are closed then the business will be able to continue trading, as happened to GAME recently. GAME is an interesting example; in Bradford, through its mergers with Gamestation and EB Games, it ended up with 3 shops within five minutes walk of each other. And this was a pattern repeated across many other towns and cities. Now it generally just has one store and seems to be doing okay. It’s sad news for the staff laid off from the stores that closed, of course, but at least it didn’t disappear forever.

But other recent high street failures haven’t had such a happy ending. Last week, camera retailer Jessops went into administration and within two days had closed all of shops for good. Unfortunately Jessops were in a hard market; few people buy compact cameras any more, as more and more people have smartphones which can take almost-as-good photos, and have the ability to share them on Facebook and Instagram straight-away, rather than waiting until you get home and empty your memory card. And independent camera shops seem to be holding up the top end of the market, especially with second-hand lenses and cameras. Jessops seems to have disappeared into the widening gap between the two.

Robert Peston, the BBC’s business editor, is quite philosophical about HMV’s collapse; in essence, it’s a sign that banks are letting almost-dead businesses fail, to free up money to lend to those that are doing well and growing. That’s not good news for the people working for these ‘zombie’ companies but a sign that, in time, things will get better.

Whilst changing shopping habits, with a move to digital downloads, are one of the reasons for HMV’s problems, another big problem for all retailers is that many people just don’t have much disposable income nowadays. We’re only just out of a double-dip recession, but last year our economy was bolstered by the Olympics and so it’s possible that Britain will be back in recession for a third time since the credit crunch later this year. Public sector pay is increasing at a measly 1% – less than the rate of inflation – and MPs voted to do the same to benefits. Unemployment isn’t as high as it could be but the fall of Jessops, and Comet just before Christmas, has resulted in thousands losing their jobs just recently. So to me, the economy is also to blame, and by extension those in charge of this country’s economic policy as well.

I’m near the end of this post, but before that I’ll come back to the topic of Bradford. In Bradford, HMV is on Broadway, a street that should, by now, lead into the new Westfield Shopping Centre, had it been built (construction will hopefully start later this year). It’s one of the few shops left there; GAME closed, as mentioned earlier, and children’s clothing retailer Adams closed down a couple of years ago. Jessops was around the corner until last weekend. What was once one of Bradford’s main shopping streets barely has anything left on it, as more and more struggling high street chain stores fall by the wayside.

I really hope that at least some of HMV’s stores stay open. It would be a shame to lose such a big name, especially as it’s the last of its kind.

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Bingley Music Live 2011

Jon Fratelli

Having enjoyed it last year, when we heard that acts such as Feeder and Eliza Doolittle would be playing Bingley Music Live Christine and I snapped up tickets a few months back. The festival was last weekend and, like last year, we had a good time. Though the price of a weekend ticket has gone up by a fiver, there were some bigger acts this year, as well as a smaller, second stage designed around kids and families. Also changed from last year were the toilets; thankfully, the toilet area hadn’t turned into a smelly quagmire by Sunday unlike in 2010. Unchanged were the astronomical drinks prices but I guess that’s par for the course for most festivals.

This was also the first time we went to all three days – last year we skipped the free Friday night events but we made it this year to see the Young Guns. Sadly they’d arrived late and their set was cut to 20 minutes; plus, there appeared to be some technical problems making them sound very flat. A shame because they’re one of my favourite up and coming bands.

I won’t do a full review as my friend Phil has done a much better job at his blog .wav Goodbye – read his reviews of Friday, Saturday and Sunday. Some of the sets from the likes of Feeder, Athlete and Eliza Doolittle were excellent, and worth the ticket price on their own merits – seeing the other acts just added to the value.

As it sold out a few weeks ago (the first time it’s sold out in advance in the five years it’s been running), plans are already afoot for 2012 and tickets went on sale today. I think we’ll wait to see which acts are confirmed first though – whilst the line-up has been good these past few years, I’m not willing to gamble £40. Even if the tickets being sold now are ‘limited edition’ – whatever that implies.

Hopefully next year we’ll be able to make some other festivals – Sonisphere in particular could be good if the right bands are playing. We’ll see.

30 Day Song Challenge Day 30

It’s the final day! Apart from one day earlier in the week, I’ve managed to post something every day for the past 30 days, and I’m feeling quite impressed with myself.

So, day 30 of the 30 Day Song Challenge is a song that makes you want to help the world, help the environment, end poverty, help society…. Frankly, I couldn’t think of one, and as it’s such a nice, warm, sunny spring day, I’ve chosen “Hard To Beat” by Hard-Fi which suits the mood, I think. It’s from their album Stars of CCTV, which available from iTunes and Amazon.

I’ll try to stay in the habit of posting stuff regularly on this blog, although I can’t guarantee a post every day like there has been for the past month. Still, I hope you enjoyed this small insight into my musical tastes!

30 Day Song Challenge Day 1: Your Favourite Song

Monty Picon

I’m going to give the 30 Day Song Challenge a go. You’re asked to post a different song each day – your favourite, least favourite, guilty pleasure, or that best describes you. I’ll try to embed YouTube videos where possible so that you can listen to them yourself, but as some of the official videos have embedding blocked I won’t always be able to do this. This will mean a lot of extra posts, but it’s only for a month if you don’t care for it…

Day 1 is your favourite song. This is rather difficult, as I don’t have an all-time favourite song. Instead, I’m going to choose a song that has been one of my favourites for over 15 years, and I still enjoy listening to today: “Set You Free” by N-Trance. Even though it’s been around a long time, it has aged well and as far as I’m aware it still gets played at nightclubs quite a bit (I wouldn’t know for sure because I haven’t been clubbing in ages…).

Bingley Music Live 2010

Reef

Yesterday Christine and I went to our first proper music festival: Bingley Music Live. It’s certainly not one of the biggest festivals, with only 15,000 tickets available, and it doesn’t draw many big names. The main acts this year were mostly bands that were at the peak of popularity some years ago, namely The Buzzcocks, Public Image Ltd., Reef and James.

Bingley Music Live is in its fourth year and is organised by Bradford Council with no corporate sponsorship. Despite this, tickets are only £30 for the full weekend, and the Friday event has free entry as well. The small size of the festival means there’s only one stage, and there’s no campsite, but then I think most people who go live locally.

I’ll be going back today for the Sunday bands, although this time I’ll be bringing more of my own drinks. £2 for a small bottle of cola is frankly scandalous.

Solid Gold Chartbusters

I’m afraid I am about to post a music video which ranks as one of the most annoying songs of all time:

Once you have watched it, and presumably received relevant counselling, I’ll explain myself.

The song is called “I want a 1-2-1 with You”, unsurprisingly, by a band calling themselves the Solid Gold Chartbusters, but who are actually better known as The KLF. It wasn’t a very big hit, being released in the run-up to Christmas in 1999 along with other novelty songs.

But it’s notable for being one of the first songs to use a ringtone as part of the main melody, in this case the default tone used by Nokia phones. Of course, in 1999 we didn’t even have polyphonic ringtones, never mind MP3s, so it was a series of beeps. And the “1-2-1 with you” idea was almost certainly inspired by the UK mobile network One2One, originally part of Cable & Wireless and since bought out by Deutsche Telekom and re-branded T-Mobile.

Why am I mentioning this? In 2005, some marketer who probably deserves a rather painful death came up with the idea of combining the Crazy Frog ringtone with the song Axel F, in this instance covered by the Bass Bumpers. This song, rather unfortunately, went on to be UK number 1 and spawned a whole album of songs which were mercilessly destroyed by El Frog. At the time, it was claimed that this particular cover of Axel F was the first time that a ringtone had been made into a single, as opposed to the other way around which is what normally happens. While it was the first ringtone-based song ever to be number 1, it certainly wasn’t the first song to be released.

It also happened to one of those random songs that I vaguely remember seeing on MTV 10 years ago that for some reason surfaced in my mind, and so I decided to share it. You’re probably wishing I hadn’t, though.

Wikipedia names your band

Via Waxy Links is a meme called Wikipedia Names Your Band. Here’s how you do it:

  1. Go to a random Wikipedia article – the name of the article becomes your band’s name.
  2. Go to Random Quotations – the last 4-5 words of the last quotation on the page are your the title of your first album.
  3. Go to Flickr’s “Explore the last 7 days” and choose the third picture – this will be your album cover.

Put them all together, and you get something like this:

The components for mine were:

There are many other covers on the Buzzfeed page, some of which are very good.